Yesterday
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- ¥1,100
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- ¥1,100
発行者による作品情報
"Ágota Kristóf packs volumes into this elegant shape-shifting novella. It's simultaneously a sly exploration of storytelling and a powerful narrative about immigration and the pitfalls of starting over in a new country. Yesterday is a necessary and uncannily timely work by one of the unsung geniuses of contemporary literature." — Jeff Jackson, author of Destroy All Monsters and Mira Corpora
In spare, elegant prose, this modern novella recounts a troubled young man's flight from a judgmental village. Tobias, the illegitimate son of a prostitute and the local schoolmaster, finds peace with a factory job in the comfortable anonymity of a city. But his fragile respite is shattered by the appearance of Caroline, his boyhood love, who materializes with a husband and child in tow.
This Dover edition marks Yesterday's first U.S. publication. Originally written in French by Hungarian author Ágota Kristóf, this haunting exploration of dislocation, the search for love and belonging, and life as an emigrant continues to resonate today.
"Offers a lucid, poignant narrative of the struggle to find meaning in a world of 'unbearable waiting and . . . inexpressible silence.'" — Publishers Weekly
"Many of Kristóf's stark vignettes, reported in unflinching detail...have a cool, disturbing power — part documentary-like, part surreal — that is fierce and distinctive." — Kirkus Reviews
"Ágota Kristóf tackles the theme of the double and the irreparable damage caused by severance from one's roots with a writing of rare sobriety and a spareness which, avoiding all superfluous sentimentality, goes right to the heart." — Marie Claire
"Kristóf — most brilliant when she is blackest — plots a denouement that lies on the bleaker side of black. Read it, shudder, and utter thanks." — Scotland on Sunday
PUBLISHERS WEEKLY
An immigrant from an unnamed country wrestles with despair in this spare and haunting novel from Krist f (1935 2011), who is perhaps best known for her trilogy: The Notebook, The Proof, and The Third Lie. Raised in poverty, Tobias Horvath flees his native land as a teenager after committing what he believes to be a terrible crime. He reinvents himself as the war orphan Sandor Lester. At 26, Sandor has spent a decade working a monotonous, unfulfilling job at a clockwork factory; he's involved in a loveless relationship with Yolande, and spends his evenings writing or socializing with a group of other refugees and immigrants from his country. But he grows sick of this "idiotic routine," and his only ambition is to meet Line, an idealized version of a girl he knew in childhood. When he reencounters Line in his new country, Sandor is certain she will be his "wife, love, life" and his "days at the factory become days of joy." But the real-life Line already has a husband and child, and Sandor's fantasies run into the obstacle of reality. Alternating between dreamlike passages that may be Sandor's writing, and the bleak account of his days, the novel offers a lucid, poignant narrative of the struggle to find meaning in a world of "unbearable waiting and... inexpressible silence."
