- 11,99 €
This new expanded edition of The Long and the Short of It covers 55 years of Roy Fisher's poetry. Playing the language, pleasuring the imagination and teasing the senses, Fisher's witty, inventive and anarchic poetry has given lasting delight to his many dedicated readers for over half a century. Choosing this book on Desert Island Dis, Ian McMillan praised Fisher as 'Britain's greatest living poet'. The Long and the Short of It draws on the entire range of Fisher's work, from its fraught beginnings in the 1950s through major texts of the 1960s and 1970s such as City, The Ship's Orchestra and 'Wonders of Obligation', to A Furnace, his 1980s masterpiece, and and then the later work set in the scarred and beautiful North Midlands landscape where he has lived for the past 30 years, notably the Costa-shortlisted Standard Midland (2010), which has been added to this expanded edition. 'Fisher stands outside, or alongside, whatever else is happening, an English late modernist whose experiments tend to come off. He is a poet of the city -his native Birmingham, which he describes as "what I think with". He is a redeemer of the ordinary, often a great artist of the visible… His range is large: he suits both extreme brevity and book-length exploration; his seeming improvisations have a way of turning into architecture. The best place to start is The Long and the Short of It. It might look and sound like nothing on earth at first, but then it becomes indispensable' -Sean O'Brien, Guardian.
Fisher's book-length works City and A Furnace, reprinted in their entirety here, garnered him a major reputation in Britian. They find their entire worlds in his native Birmingham's buildings and plans, along "working-/ class streets where work and wages/ hid," with "a dry epic flavour, whose air is human breath." From the late 1950s onward, Fisher's meditative verse and prose has offered observant takes on midlands landscapes and cityscapes, but he also excels in prose-poem forms, making of them sometimes a carnivalesque notebook, sometimes (as in "The Ship's Orchestra") something like a short story; wry and saddened later verse satirizes publishers and explores the diminished vistas of old age. Though easy for ordinary readers to appreciate, Fisher is so connected to his unglamorous region that he has proven hard to promote in America: this monumental collection may be the book that makes the international difference.