Exile, Translation, And Return: Ugo Foscolo in England (Critical Essay‪)‬

In "Exile, Translation, Return: Ugo Foscolo in England," Cosetta Gaudenzi employs translation as a critical concept to study the work of Ugo Foscolo in England. The article sheds light on Foscolo's role in the process that made Henry Francis Cary's version of the Commedia (1814) the first authoritative translation into English, and examines the reasons behind Foscolo's shift in exile from writing literature to practicing cultural translation and transference. Tu non altro che il canto avrai del figlio, o materna mia terra; a noi prescrisse il fato illacrimata sepoltura.