Frankenstein in Baghdad
A Novel
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- 5,99 €
Publisher Description
International Booker Prize finalist
Winner of the International Prize for Arabic Fiction
“Brave and ingenious.” —The New York Times
“Gripping, darkly humorous . . . profound.” —Phil Klay, bestselling author and National Book Award winner for Redeployment
“Extraordinary . . . A devastating but essential read.” —Kevin Powers, bestselling author and National Book Award finalist for The Yellow Birds
From the rubble-strewn streets of U.S.-occupied Baghdad, Hadi—a scavenger and an oddball fixture at a local café—collects human body parts and stitches them together to create a corpse. His goal, he claims, is for the government to recognize the parts as people and to give them proper burial. But when the corpse goes missing, a wave of eerie murders sweeps the city, and reports stream in of a horrendous-looking criminal who, though shot, cannot be killed. Hadi soon realizes he’s created a monster, one that needs human flesh to survive—first from the guilty, and then from anyone in its path. A prizewinning novel by “Baghdad’s new literary star” (The New York Times), Frankenstein in Baghdad captures with white-knuckle horror and black humor the surreal reality of contemporary Iraq.
APPLE BOOKS REVIEW
If we can accept smart bombs and sniper attacks as part of our reality, why not ghosts and reanimated corpses? Iraqi novelist Ahmed Saadawi’s Frankenstein in Baghdad reimagines the classic horror tale as a brilliant modern satire, setting the monster-and-creator story in Iraq during the American occupation. After one of his dearest friends is literally blown apart, a junk dealer stitches a body together out of corpses of other victims, but things get even darker when the spirit of a different bombing victim enters the corpse, bringing it to life and turning everyone’s world even more upside down. Even as this story becomes more fantastical, the unexpectedly relatable characters—like the woman who’s convinced the monster is her long-lost son and the journalist determined to figure out exactly what’s going on—keep things grounded and real. Saadawi’s wit shines light on both the Iraq war and the horror genre, leaving us pondering why the gruesome realities of war and occupation are somehow easier to bear with the addition of a restless, undead creature wandering the streets.
