Kafka's Last Trial: The Case of a Literary Legacy
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- 8,49 €
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- 8,49 €
Publisher Description
Winner of the 2020 Sami Rohr Prize for Jewish Literature
"Dramatic and illuminating…[R]aises momentous questions about nationality, religion, literature, and even the Holocaust." —Adam Kirsch, The Atlantic
When Franz Kafka died in 1924, his loyal friend Max Brod could not bring himself to fulfill Kafka’s last instruction: to burn his remaining manuscripts. Instead, Brod devoted his life to championing Kafka’s work, rescuing his legacy from both obscurity and physical destruction. Nearly a century later, an international legal battle erupted to determine which country could claim ownership: the Jewish state, where Kafka dreamed of living, or Germany, where Kafka’s three sisters perished in the Holocaust? Benjamin Balint offers a gripping account of the controversial trial in Israeli courts—brimming with dilemmas legal, ethical, and political—that determined the fate of Kafka’s manuscripts.
PUBLISHERS WEEKLY
Balint (Running Commentary), a research fellow at the Van Leer Institute in Jerusalem, delivers a lively and balanced account of the international battle fought in Israeli courts for Franz Kafka's manuscripts, letters, and diaries. Heard in 2016, the case involved three parties: the National Library of Israel, the German Literature Archive in Marbach, and Eva Hoffe, who inherited the documents from her mother. But the story begins much earlier, in 1924, when Kafka died of tuberculosis and his close friend, Max Brod, could not bring himself to follow Kafka's last instructions to burn his remaining papers. Instead, Brod devoted most of his life to promoting Kafka's legacy. When Brod, who fled to Palestine during WWII, died in Tel Aviv in 1968, Kafka's papers passed to Brod's secretary and confidante, Esther Hoffe, Eva's mother. In addition to relating this background, Balint thoughtfully examines the arguments brought up at the trial: what Judaism meant to Kafka, who wrote in German, "steeped himself in German literature," and wondered, in his diary, what he had in common with other Jews, yet discovered a love of Yiddish theater and Hebrew; Israel's ambivalence to Kafka and diaspora culture; and the ways both Israel and Germany claimed Kafka's legacy. Well-researched and insightful, this suspenseful work illuminates the complex relationship between literature, religion, culture, and nationality.
