Part Of The Furniture
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- 8,99 €
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- 8,99 €
Publisher Description
Seventeen-year-old Juno Marlowe has just waved off to war the two young men she has loved for the best part of her life when the air raid sirens begin to wail out across London. She is rescued from this nightmare by a gaunt stranger called Evelyn, frail and older than his years, who offers her the protection of his house and his family before dying suddenly in the night.
Determined to avoid being sent to Canada to join her mother and new step-father, and still grieving for her lost lovers, Juno instead finds herself on a train to Cornwall in search of Evelyn's family. There she discovers the blossoming of an English spring into which the war only occasionally intrudes and finds at last a peace for herlself and a world in which she is more than simply part of the furniture.
PUBLISHERS WEEKLY
Octogenarian Wesley's novels are distinguished by her sharp eye for human frailties and the ironies of fate, and by her witty and incisive prose. If her last novel, An Imaginative Experience, was a bit mean-spirited and cynical, she almost overcompensates with this heartwarming story of May-December love. On the most fateful day of her life thus far, 17-year-old Juno Marlowe loses her virginity to two men she has adored for years, cousins Francis Murray and Jonty Johnson, who share her favors just before they leave for active duty during WWII. Soon afterwards, Juno experiences her first London air raid, from which she is rescued by a stranger, Evelyn Copplestone, who dies a few hours later, having given Juno a letter addressed to his father. Handsome widower Robert Copplestone proves to be no less kind than his son; he takes Juno under his wing, and she remains at the Copplestone estate in Cornwall as a landgirl, milking cows, feeding pigs and in general endearing herself to the wholesome country people in Robert's employ. When the results of Juno's brief tryst prove fateful, 60-year-old Robert must admit to himself that more than kindness motivates his insistence that she remain at the farm during her pregnancy. Juno is one of Wesley's most enchanting characters, a mixture of teenage bravado and childlike vulnerability. Wesley makes the romantic attraction between her and father-figure Robert altogether credible, though she is less successful in convincing the reader of Juno's total naivete about sexual matters. Moreover, the story verges on melodrama when a raging storm blocks the roads and knocks down the telephone lines just in time for Juno's accouchement. But Wesley's skill with character development and her subtle, amusing dissection of that paramount British preoccupation, family background and breeding, endow this novel with the charm of a comedy of manners and the enduring appeal of a satisfying love story.
