Remain in Love
-
- 3,99 €
Publisher Description
THE SUNDAY TIMES BESTSELLER
'As the Brits say: I'm gobsmacked. I devoured this book... one of the most potent examples of living the dream' DEBBIE HARRY
'A great drummer who has written a great book' BILL MURRAY
'A revealing inside account of the highs and lows of a band who looked and sounded like nobody else' OLIVIA LAING, Guardian
Chris Frantz's memoir tells the story of his life with Talking Heads, Tom Tom Club and his life-long love affair with Tina Weymouth. He remembers the early performances at CBGB alongside the Ramones, Patti Smith, Television and Blondie and recording the game changing albums, Talking Heads '77, More Songs About Buildings And Food, Fear Of Music, and Remain In Light. During a break from Talking Heads, Chris and Tina formed Tom Tom Club; in the process creating a hybrid of funk, disco, pop and electro that would have a huge impact on the club scene around the world.
Warm and candid, funny and heartfelt, Remain in Love charts the rise of a band that began as a dream and culminated with their induction into the Rock and Roll Hall of Fame, and reveals the once-in-a-lifetime love story and creative partnership between Chris and Tina, one of the greatest rhythm sections of all time.
PUBLISHERS WEEKLY
Talking Heads drummer Frantz delivers a bright memoir that reads more of an entertaining greatest-hits compilation than complete life chronicle. He discusses his early musical influences (R&B, Fela Kuti, and Kraftwerk) and how the band first came together in 1973 at the Rhode Island School of Design as a herky-jerky art-rock trio called the Artistics, with singer-songwriter David Byrne and bassist Tina Weymouth (whom Frantz later married). The band moved to Manhattan the next year and its burgeoning punk music scene, where, Frantz notes, the Talking Heads "were not afraid to appear straight." His account of their 1977 Europe tour with the Ramones, studded with set lists and bright detail, is particularly thrilling ("we were post-punk before there even was punk"). In 1991, the band broke up when Byrne left. (Frantz writes of Byrne's self-aggrandizement and suggests he is on the spectrum.) Later sections on Frantz and Tina's epochal dance-band, Tom Tom Club, and their time recording and producing in the Bahamas, are replete with fun cameos (the Clash, Robert Palmer, Grace Jones). Fun, cheerful, and eventful, this memoir has just the right amount edge.
