Television
A Biography
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- 23,99 €
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- 23,99 €
Publisher Description
In Television, David Thomson whom Michael Ondaatje has called the best writer on film in our time turns his attention to the ubiquitous small screen and delivers a history of its revolutionary transformation. In just a few years, this immobile piece of living room furniture in front of which viewers had to sit at appointed times in order to watch a finite number of channels has morphed into a glowing cloud of screens that supply near-endless content as and when we want it.
Thomson notes that if you wanted to play everything that has been on all the channels of American television all the hours of every day, that playing would take 5,000 years, give or take a century or so. The stuff is growing at a demented pace, as if the wasteland, which was once a lofty put-down of television, is actually a rampant jungle. So instead of a strict chronology, Thomson has built 21 thematically organized chapters in which he turns his provocatively insightful and observant gaze to the 65-year-long television era.
Television surveys a Boschian landscape, illuminated by that singular glow and peopled by everyone from Lucille Ball to Dennis Potter to Don Draper. It is a rip-roaring, unexpected, and perhaps most of all, deeply thought-provoking history of the medium that has defined us.
PUBLISHERS WEEKLY
Prolific film critic and historian Thomson (How to Watch a Movie) ambitiously endeavors to map the history of television in this illustrated volume, but for those who don't admire the author's sauntering style, the results will be less than satisfying. Compiled into thematic chapters with catchy titles such as "The Sit and the Situation," "The Loneliness of the Role Model," and "Women, Wives, and Wonderers," it promises a fresh and practical analysis of the medium but lacks depth. The book looks at a wide assortment of subjects, including stars Donna Reed, Lucille Ball, Bill Cosby, and Jon Stewart, as well as hit shows such as MASH, Law & Order, Seinfeld, and Breaking Bad. However, its operating principle seems to be "throw it at the wall and see what sticks." The author has intriguing historical tidbits to share in this series of loosely organized essays, but his genuine insights are obscured by the slapdash narrative. This weightless study improves whenever the author's dry humor comes to the fore. Casual readers should enjoy this brisk read, but anyone expecting a comprehensive consideration of the medium will have to look elsewhere.