The Passenger
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- 5,99 €
Publisher Description
A sunken jet, a missing body, and a salvage diver entering a conspiracy beyond all understanding. From the bar rooms of New Orleans to an abandoned oil rig off the Florida coast, The Passenger is a breathtakingly dark novel from Cormac McCarthy, the legendary author of No Country for Old Men and The Road.
‘A gorgeous ruin in the shape of a hardboiled noir thriller . . . What a glorious sunset song’ – The Guardian
1980, Mississippi. It is three in the morning when Bobby Western zips the jacket of his wet suit and plunges into the darkness of the ocean. His dive light illuminates a sunken jet, nine bodies still buckled in their seats, hair floating, eyes devoid of speculation. Missing from the crash site are the pilot's flight bag, the plane's black box – and the tenth passenger . . .
Now a collateral witness to this disappearance, Bobby is discouraged from speaking of what he has seen. He is a man haunted: by the ghost of his father, inventor of the bomb that melted glass and flesh in Hiroshima, and by his sister, the love and ruin of his soul.
One of the final works by Cormac McCarthy, The Passenger is book one in a duology. It is followed by Stella Maris.
Praise for Cormac McCarthy:
‘McCarthy worked close to some religious impulse, his books were terrifying and absolute’ – Anne Enright, author of The Green Road
'His prose takes on an almost biblical quality, hallucinatory in its effect and evangelical in its power' – Stephen King, author of The Shining
'[I]n presenting the darker human impulses in his rich prose, [McCarthy] showed readers the necessity of facing up to existence' – Annie Proulx, author of Brokeback Mountain
PUBLISHERS WEEKLY
McCarthy returns 16 years after his Pulitzer-winning The Road with a rich story of an underachieving salvage diver in 1980 New Orleans, the first in a two-volume work. Bobby Western, son of a nuclear physicist who worked on the atomic bomb, is tasked with investigating a private plane crash in the Gulf. The plane's crew is dead, the black box is missing, and one passenger is unaccounted for. Soon, agents of the U.S. government begin to harass Western and his coworker, then this colleague turns up dead. This thriller narrative is intertwined with the story of Western's sister, Alicia, a mathematical genius who had schizophrenia and died by suicide. In flashbacks of Alicia's hallucinations, vaudevillian characters perform for her—most notably, a character named the Thalidomide Kid. Alicia and the Kid engage in numerous conversations about arcane philosophy, theology, and physics—staples of the philosopher-tramps, vagabonds, and sociopaths of McCarthy's canon, though their presence doesn't feel quite as thematically grounded as they do in his masterworks. Still, he dazzles with his descriptions of a beautifully broken New Orleans: "The rich moss and cellar smell of the city thick on the night air. A cold and skullcolored moon.... At times the city seemed older than Nineveh." The book's many pleasures will leave readers aching for the final installment.
