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WITH OVER THREE MILLION COPIES SOLD, read the Sunday Times and No.1 New York Times bestselling, record-breaking thriller that everyone is talking about - soon to be a major film.
'The perfect thriller' AJ FINN
'Terrific' - THE TIMES Crime Book of the Month
'Smart, sophisticated suspense' - LEE CHILD
'Compelling' - OBSERVER
'Absolutely brilliant' - STEPHEN FRY
'A totally original psychological mystery' - DAVID BALDACCI
'One of the best thrillers I've read this year' - CARA HUNTER
'The pace and finesse of a master' - BBC CULTURE
Alicia Berenson lived a seemingly perfect life until one day six years ago.
When she shot her husband in the head five times.
Since then she hasn't spoken a single word.
It's time to find out why.
THE SILENT PATIENT is the gripping must-read thriller of the year - perfect for fans of THE FAMILY UPSTAIRS by Lisa Jewell, BLOOD ORANGE by Harriet Tyce and PLAYING NICE by JP Delaney.
APPLE BOOKS REVIEW
In this confident debut, Alex Michaelides mixes the meticulous pacing of an Agatha Christie thriller with the dark tragedy of Greek myth. The Silent Patient starts with an unforgettable image: Artist Alicia Berenson stands in her living room soaked in her husband’s blood after apparently riddling him with bullets. After that, Alicia goes mute for years—until psychotherapist Theo Faber finds his way to the institution that houses her, armed with unconventional ideas about unlocking her past. Michaelides has crafted a binge-worthy, slow-burn psychological thriller that explodes in one final twist.
Psychotherapist Theo Faber, the emotionally fragile narrator of Michaelides's superb first novel, finagles his way to a job at the Grove, a "secure forensic unit" in North London, where artist Alicia Berenson has been housed for six years since she was convicted of murdering her prominent fashion photographer husband, Gabriel. The evidence against Alicia was clear Gabriel was tied to a chair and shot several times in the face with a gun that had only her fingerprints. Since the day of her arrest, Alicia has never said a word. Before the murder, Alicia painted a provocative self-portrait entitled Alcestis, based on a Greek myth that seemed to echo her life. Her current therapists reluctantly agree to let Theo treat the heavily drugged Alicia to get her to speak. The boundary between doctor and patient blurs as Theo, who admits he became a therapist "because I was fucked-up," seeks to cure his own emotional problems in the course of treating Alicia. This edgy, intricately plotted psychological thriller establishes Michaelides as a major player in the field. 200,000-copy announced first printing.)