The Talented Miss Highsmith
The Secret Life and Serious Art of Patricia Highsmith
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- 12,99 €
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- 12,99 €
Publisher Description
Patricia Highsmith's The Price of Salt is now a major motion picture (Carol) starring Cate Blanchett and Mia Wasikowska, directed by Todd Hayes
A 2010 New York Times Notable Book
A 2010 Lambda Literary Award Winner
A 2009 Edgar Award Nominee
A 2009 Agatha Award Nominee
A Publishers Weekly Pick of the Week
Patricia Highsmith, one of the great writers of twentieth-century American fiction, had a life as darkly compelling as that of her favorite "hero-criminal," the talented Tom Ripley. Joan Schenkar maps out this richly bizarre life from her birth in Texas to Hitchcock's filming of her first novel, Strangers on a Train, to her long, strange self-exile in Europe. We see her as a secret writer for the comics, a brilliant creator of disturbing fictions, and an erotic predator with dozens of women (and a few good men) on her love list. The Talented Miss Highsmith is the first literary biography with access to Highsmith's whole story: her closest friends, her oeuvre, her archives. It's a compulsive page-turner unlike any other, a book worthy of Highsmith herself.
PUBLISHERS WEEKLY
Author and playwright Schenkar (Truly Wilde) presents a compelling portrait of suspense novelist Patricia Highsmith (1921 1995), whose own life was often as twisted as that of her antihero Tom Ripley. Dispensing with the traditional chronological narrative, Schenkar divides her study into themed sections, which crisscross and mirror each other, embodying the themes of doubling and alter egos in Highsmith's work and life. From her early years in Texas through her time soaking up Manhattan's literary life in the '40s to her self-exile in Europe, Highsmith kept diaries in which she meticulously detailed everything from her myriad female lovers to plot ideas. Pessimistic, alcoholic and chronically unhappy, Highsmith created some of the most chilling tales of psychological suspense and betrayal, including The Talented Mr. Ripley and its sequels, and Strangers on a Train. Schenkar's research is impeccable, and she makes excellent use of the voluminous Highsmith archives in Switzerland and interviews with Highsmith's friends, ex-lovers and literary contemporaries. "Perversion," Highsmith once said, "interests me most and is my guiding darkness," and Schenkar illuminates how her demons played out on the page and in real life. 16 pages of b&w photos.
