Vigil
A Novel
-
- Pre-Order
-
- Expected 27 Jan 2026
-
- 10,99 €
Publisher Description
An electric novel from the #1 New York Times bestselling, Booker Prize–winning author of Lincoln in the Bardo, taking place at the bedside of an oil company CEO in the twilight hours of his life as he is ferried from this world into the next
Not for the first time, Jill “Doll” Blaine finds herself hurtling toward earth, reconstituting as she falls, right down to her favorite black pumps. She plummets towards her newest charge, yet another soul she must usher into the afterlife, and lands headfirst in the circular drive of his ornate mansion.
She has performed this sacred duty 343 times since her own death. Her charges, as a rule, have been greatly comforted in their final moments. But this charge, she soon discovers, isn’t like the others. The powerful K. J. Boone will not be consoled, because he has nothing to regret. He lived a big, bold, epic life, and the world is better for it. Isn’t it?
Vigil transports us, careening, through the wild final evening of a complicated man. Visitors begin to arrive (worldly and otherworldly, alive and dead), clamoring for a reckoning. Birds swarm the dying man’s room; a black calf grazes on the love seat; a man from a distant, drought-ravaged village materializes; two oil-business cronies from decades past show up with chilling plans for Boone’s postdeath future.
With the wisdom, playfulness, and explosive imagination we’ve come to expect, George Saunders takes on the gravest issues of our time—the menace of corporate greed, the toll of capitalism, the environmental perils of progress—and, in the process, spins a tale that encompasses life and death, good and evil, and the thorny question of absolution.
APPLE BOOKS REVIEW
An afterlife guide tries to steer a belligerent and unrepentant oil executive toward redemption in this wildly imaginative story. The spirit of Jill “Doll” Blaine crash-lands on Earth outside the mansion of her latest charge, K. J. Boone, who is dying of cancer. This isn’t her first rodeo: Jill has guided more than 340 people to the other side. However, unlike the hundreds of others, K. J. Boone is unrepentant about how he’s lived his life and has no plans to find peace. Over the course of one night, various spirits—including an Indian man whose family died in a natural disaster and the Frenchman who invented the engine—visit his bedside, yet he remains unmoved. Irreverent and witty Lincoln in the Bardo author George Saunders asks big questions about morality, justice, and salvation. We loved the juxtaposition of the humorous monologues from the absurd cast of characters with the serious commentary on the American oil industry and the environment. This thought-provoking read has echoes of A Christmas Carol, without all the moralizing.
PUBLISHERS WEEKLY
A ghost attempts to guide an unrepentant oil executive toward redemption and the afterlife in the staggering latest from Saunders (Lincoln in the Bardo). The story takes place over the course of one night, when the spirit of Jill Blaine descends to Earth and takes on human form at the home of K.J. Boone, her latest "charge." As opposed to the hundreds of others Jill has visited at the end of their days, the terminally ill Boone is uninterested in finding peace or reckoning with his misdeeds. Instead, he revels in his accomplishments, taking credit for the U.S.'s decision to abandon the Kyoto Protocol, which one of his lobbyists ridiculed as the "Intergovernmental Panel on Climate Crap" for "greenies with hostile agendas." A fiery French colleague of Jill's shows up to help, repeatedly crying "Quelle horreur!" as he tries to convince Boone of the devastating effects of climate change by showing him specimens of endangered bird species felled by wildfire smoke. Alone with Jill, Boone recalls his childhood, his experiences as a "Wyoming hick" at college in Michigan, and his defiant rise to power, during which he came to be unfairly seen, in his view, as "the villain... the principal baddy." What emerges is not a simple story of redemption, though. As more of Boone's transgressions are revealed, Jill decides she hates him, and the novel barrels into gleefully absurd territory while posing weighty questions about salvation and justice and whether they're even feasible. Saunders has outdone himself with this endlessly irreverent work of art.
