![Murder on Principle](/assets/artwork/1x1-42817eea7ade52607a760cbee00d1495.gif)
![Murder on Principle](/assets/artwork/1x1-42817eea7ade52607a760cbee00d1495.gif)
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Murder on Principle
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- 10,99 €
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- 10,99 €
Publisher Description
Will Rees faces a moral dilemma when a slaveholder is murdered while attempting to recapture a former slave: should he pursue lawful justice or should he let the killer go free?
November 1800, Maine. After helping their long-time friend Tobias escort his wife, along with a liberated slave and her child, from the Great Dismal back to Durham, Will and Lydia Rees’s lives are interrupted when a dead body is found near their home.
The body is that of Mr Gilbert, a slaveholder from the Great Dismal. Was he murdered in pursuit of the former slaves?
When it’s discovered Gilbert was infected with smallpox, and Gilbert’s sister arrives demanding justice and the return of her absconded slaves, Will is torn. Finding the killer could lead to the recapture of the former slaves. Letting them go free could result in a false arrest and endanger the Durham community. Will must make a choice . . .
PUBLISHERS WEEKLY
In Kuhns's tense 10th outing for Will Rees, a weaver in late 18th-century Maine, repercussions follow from a recent trip south Rees and his wife made in 2021's Death in the Great Dismal. In Virginia, they rescued a Black woman, an old friend of theirs, from slavers—and freed two other slaves, a young woman, Sandy, and her infant son, who accompanied them back to Maine. When a stabbed and strangled body is found on the Rees farm, Constable Rouge identifies the victim as Randolph Gilbert, a Virginian looking for Sandy and her child, who belonged to Gilbert's sister, Charlotte Sechrest. The stakes rise when Sechrest shows up with some slave catchers and has them search the Rees home for her quarry. Sechrest, who notes Rees resembles the man described as having taken her slaves, accuses him of her brother's murder. When Rouge falls ill from smallpox, he makes Rees acting constable, putting the weaver in a difficult position. The intricate plot builds to a satisfying resolution. This sobering look at the cultural divide over slavery in the early days of the Republic deserves a wide audience.