Tepper Isn't Going Out
A Novel
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- 8,49 €
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- 8,49 €
Publisher Description
Murray Tepper would say that he is an ordinary New Yorker who is simply trying to read the newspaper in peace. But he reads while sitting behind the wheel of his parked car, and his car always seems to be in a particularly desirable parking spot. Not surprisingly, he is regularly interrupted by drivers who want to know if he is going out.
Tepper isn’t going out. Why not? His explanations tend to be rather literal: the indisputable fact, for instance, that he has twenty minutes left on the meter.
Tepper’s behavior sometimes irritates the people who want his spot. (“Is that where you live? Is that car rent-controlled?”) It also irritates the mayor—Frank Ducavelli, known in tabloid headlines as Il Duce—who sees Murray Tepper as a harbinger of what His Honor always calls “the forces of disorder.”
But once New Yorkers become aware of Tepper, some of them begin to suspect that he knows something they don’t know. And an ever-increasing number of them are willing to line up for the opportunity to sit in his car with him and find out.
Tepper Isn’t Going Out is a wise and witty story of an ordinary man who, perhaps innocently, changes the world around him.
BONUS: This edition contains an excerpt from Calvin Trillin's Quite Enough of Calvin Trillin.
PUBLISHERS WEEKLY
Trillin is a highly accomplished storyteller as well as a humorist and memoirist, and this oddly titled novel is by far his funniest and sunniest yet. It's a quintessentially New York comedy (and how pleasant to see those words in conjunction again) revolving around Murray Tepper, a quiet, good-humored man whose one oddity is his passion for parking on Manhattan streets. His knowledge of arcane New York parking rules is encyclopedic, and he likes nothing better than to park legally and sit in his car reading the paper. This irritates countless other drivers who think he is about to leave a desirable spot, and the title refers to his quirky determination to stay just where he is. Paradoxically, people begin to gravitate to him, to sit with him in the car and tell him their troubles; they even line up to do so. This in turn irritates the mayor (shades here of pre-crisis Giuliani), who accuses Tepper of fomenting disorder on the streets. Such a conflict becomes the stuff of tabloid headlines, and next, of course, is the offer of a book contract and a TV show. Nothing much happens beyond this, and the plot is resolved with calm good sense, but along the way Trillin captures dozens of pitch-perfect New York moments, in restaurants, in a loutish literary agent's office and in the quaintly old-fashioned business where Tepper works (he runs a mailing-list service and is a genius at perceiving the odd connections between people, where they live and what they buy). Trillin's book is the best tonic for post September 11 blues imaginable.
