Blood Sisters
the Sunday Times bestseller
-
- 8,99 €
-
- 8,99 €
Publisher Description
THE SUNDAY TIMES TOP 10 BESTSELLING THRILLER YOU WON'T BE ABLE TO PUT DOWN
'Dark, complex and thrilling' B.A. Paris
_________________
THREE LITTLE GIRLS.
ONE GOOD.
ONE BAD.
ONE DEAD.
_________________
Kitty lives in a care home. She can't speak properly, and she has no memory of the accident that put her here.
At least that's the story she's sticking to.
Art teacher Alison looks fine on the surface. But the surface is a lie. When a job in a prison comes up she decides to take it - this is her chance to finally make things right.
But someone is watching Kitty and Alison.
Someone who wants revenge for what happened that sunny morning in May.
And only another life will do . . .
_________________
Praise for Jane Corry:
'A fearsomely good thriller' NICCI FRENCH
'I raced through this' TERESA DRISCOLL
'So many brilliant twists' CLAIRE DOUGLAS
'Tense, taut and twisty' RED
'Beautifully written' PETER JAMES
'A morally complex, twisty tale' KATE HAMER
'Psychological thriller writing at its very best' SD Sykes
'Few writers can match Jane Corry' CARA HUNTER
APPLE BOOKS REVIEW
My Husband’s Wife introduced Jane Corry as a thrilling new voice in psychological thrillers. Blood Sisters cements her reputation. This is a premium thriller—one that drips with suspense and intrigue as you’re forced to second guess every character’s motives. We track Alison and Kitty, two girls who emerged from a childhood ordeal that took the life of their school friend. Both are scarred from that fateful day, but only one carries guilt. Discovering which is a devilishly rewarding journey.
PUBLISHERS WEEKLY
Two young women inextricably linked by a catastrophic car crash and secrets one will never forget and the other may never remember drive this engrossing, if ultimately unconvincing, psychological suspense novel from British author Corry (My Husband's Wife). Chapters shift perspective between that of London art teacher Alison Baker and the institutionalized Kitty James, and from the present back to 2001 when everything changed for both of them, trapping the former in a prison of guilt and the latter in a brain-damaged body unable to communicate the thoughts she still experiences clearly. Ironically, it's cash-strapped Alison's dangerous decision to take a part-time job teaching inmates at a men's prison not far from where she grew up that just may offer her a more lasting release than her habitual self-cutting if it doesn't destroy her first. Though readers may suss out the relationship between Alison and Kitty well before Corry makes it explicit, she maintains momentum with several startling late plot twists a number of which, unfortunately, are far-fetched.)
