Berlin Alexanderplatz
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- $139.00
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- $139.00
Descripción editorial
The great novel of 1920s Berlin life, in a new translation by Michael Hofmann, translator of Alone in Berlin
Franz Biberkopf is back on the streets of Berlin. Determined to go straight after a stint in prison, he finds himself thwarted by an unpredictable external agency that looks an awful lot like fate. Cheated, humiliated, thrown from a moving car; embroiled in an underworld of pimps, thugs, drunks and prostitutes, Franz picks himself up over and over again - until one day he is struck a monstrous blow which might just prove his final downfall.
A dazzling collage of newspaper reports, Biblical stories, drinking songs and urban slang, Berlin Alexanderplatz is the great novel of Berlin life: inventing, styling and recreating the city as reality and dream; mimicking its movements and rhythms; immortalizing its pubs, abattoirs, apartments and chaotic streets. From the gutter to the stars, this is the whole picture of the city.
Berlin Alexanderplatz brought fame in 1929 to its author Alfred Döblin, until then an impecunious writer and doctor in a working-class neighbourhood in the east of Berlin. Success at home was short-lived, however; Doblin, a Jew, left Germany the day after the Reichstag Fire in 1933, and did not return until 1945. This landmark translation by Michael Hofmann is the first to do justice to Berlin Alexanderplatz in English, brilliantly capturing the energy, prodigality and inventiveness of Döblin's masterpiece.
PUBLISHERS WEEKLY
In this translation of a harrowing and sprawling novel of 1920s Germany, the shifting fortunes of a man newly released from prison counterpoint the societal changes of the Weimar Republic. D blin's (1878 1957) first published the novel in 1929; it showcases the bitter underside of a society wracked by the aftermath of war and on its way toward totalitarianism. The story opens with protagonist Franz Bieberkopf being released from prison and heading to Berlin in hopes of finding a job. He ends up drifting between legal and illegal work, which bears a terrible toll on his body and sets in motion a series of tragic events. Periodically, Franz's story pauses so that other characters can recount stories of their own, which sometimes echo and sometimes contrast with Franz's circumstances. Hoffman's translation moves seamlessly from the personal to the societal and back again, using Anglicisms ("Not if what I want's the silk coat, innit?") that are sometimes jarring. A constant throughout the novel is a sense of political unrest: characters heatedly debate Marxism even as nationalism and anti-Semitism are rarely out of view, hauntingly anticipating the rise of Nazism. This is a damning portrait of violence both personal and societal, with a sense of something terrible on the horizon.
