Black Dahlia
Murder, Monsters, and Madness in Midcentury Hollywood
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- $349.00
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- $349.00
Descripción editorial
New York Times bestselling author of Tinseltown and Bogart offers the first definitive account of the Black Dahlia murder—the most famous unsolved true crime case in American history.
The brutal murder of Elizabeth Short—better known as the Black Dahlia—in 1947 has been in the public consciousness for nearly eighty years, yet no serious study of the crime has ever been published.
Short has been mischaracterized as a wayward sex worker or vagabond, and—like the seductive femme fatales of film noir—responsible for and perhaps deserving of her fate. William J. Mann, however, is interested in the truth.
In his masterful, critically acclaimed biography, Mann humanizes Elizabeth Short like never before. Hailed by the Los Angeles Times as “a meticulous and thorough retelling, five years in the making, that resists the sensationalism of the infamous crime to restore dignity back to this young woman’s image,” The Black Dahlia is the definitive study about the most famous unsolved case in American history.
PUBLISHERS WEEKLY
Novelist and biographer Mann (Bogie & Bacall) delivers a meticulous and humane reconsideration of one of America's most sensationalized unsolved murders. Rather than dwell on the lurid mythology surrounding the 1947 killing of 22-year-old Elizabeth Short, whose mutilated body was discovered in a vacant Los Angeles lot, Mann sets out to restore complexity and dignity to a woman long reduced to tabloid caricature. Drawing on extensive archival research and overlooked police files, he traces Short's troubled upbringing in Massachusetts and her zigzag path to Los Angeles after dropping out of high school. Mann challenges the image of Short as a "man-crazy" fame seeker, presenting her instead as a restless young woman navigating economic precarity and unstable housing. Through careful reconstruction of her final months, he charts her movements through Tinseltown's underbelly of drifters and aspiring actors, exploring how the city's culture of exploitation left her exposed. Though Mann revisits familiar suspects, he sketches a fresh and more plausible theory of her death without claiming absolute certainty. For true crime devotees and Black Dahlia obsessives, this is a must.
