Descripción de editorial
We have read the stories of those who have “crossed” lines of race and class and culture. But few have written of crossing—completely and entirely—the gender line. Crossing is the story of Deirdre McCloskey (formerly Donald), once a golden boy of conservative economics and a child of 1950s and 1960s privilege, and her dramatic and poignant journey to becoming a woman. McCloskey’s account of her painstaking efforts to learn to “be a woman” unearth fundamental questions about gender and identity, and hatreds and anxieties, revealing surprising answers.
Transsexuality has fascinated mainstream readers since 1953, when former U.S. serviceman George Jorgensen went to Sweden and, to banner headlines, returned as Christine. Since then, there has been a string of notable memoirs of gender crossing, including Geoff Brown's sincere I Want What I Want (1966), Jan Morris's meditative Conundrum (1974) and Holly Woodlawn's campy A Low Life in High Heels (1994). McCloskey's own odyssey from Donald to Deirdre is closest to noted journalist Morris's, in that it charts the life change of a highly regarded public figure--McCloskey is a world-famous conservative economist--who finds fulfillment as a woman after four decades of living as a man. McCloskey forthrightly describes her upper-middle-class youth in Boston, her early and lifelong interest in cross-dressing, her education and eventual success as an academic and her marriage and children. In her late 40s, McCloskey decided that she was not simply a heterosexual cross-dresser but a transsexual and decided to undergo a series of operations to become an anatomical woman. Her memoir effectively details the pain involved: a bitter divorce, insurance companies' refusal to cover surgeries and her sister's repeated attempts to block the process legally. McCloskey's proclivity to jump around in time, her tendency to disrupt the flow of her story with social and political digressions and the constant placing of additional thoughts and ideas in bold text throughout the narrative distract from her story--but her courage nevertheless shines through.