Death Benefits
A Novel of Suspense
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- $85.00
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- $85.00
Descripción editorial
When gruff and intimidating security consultant Max Stillman appears without warning in the San Francisco office of McClaren Life and Casualty and begins asking questions and scrutinizing files, the employees can't help wondering just which of them he's been hired to investigate. The first to find out is young data analyst John Walker when Stillman's mysterious investigation leads out of town, he announces he's taking Walker with him.
Walker has been picked because a colleague with whom he once had a love affair has disappeared after paying a very large death benefit to an impostor. Since Walker knew her intimately, Stillman believes he's likely to be useful in finding and convicting her. But because he knows her so well, Walker is convinced that she is innocent, and that he must join the pursuit so that he can defend her. These conflicting purposes unite Walker and Stillman in an urgent search that propels them across the country and into unexpected dangers. The trail ends in a deceptively peaceful corner of the New Hampshire countryside, where they find themselves trapped by a deadly conspiracy that's much bigger, older, and more evil than they could ever have imagined.
Martin Cruz Smith declared a previous Perry novel as beautifully crafted as a good automatic weapon. In Death Benefits, Perry gives us another stunning suspense story with writing that is, as the Los Angeles Times said, as sharp as a sushi knife.
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Perry (Blood Money; The Face Changers) serves up a clever entertainment (in the Graham Greene sense of the word) set in the high-stakes insurance world. After a deliberately ambiguous prologue (just why is Ellen Snyder going to an L.A. airport hotel before dawn?), we learn that Ellen, working out of the Pasadena office of a prestigious San Francisco insurance company called McClaren's, recently authorized a 12$- million death benefit payment to a man who turned out to be an imposter. Now both the imposter and Ellen have navished, and McClaren's has called in mysterious operative Max Stillman to investigate the apparent conspiracy to defraud. Stillman oh-so-deftly draws young John Walker, an analyst in the main San Francisco office, into the investigation. Walker cooperates with Stillman because he doesn't believe Ellens's guilty; he's still a little bit in love with her from their training class days, although Ellen's career plans left no room for more than a casual interoffice romance. Casual is the operative word here: a casual remark from Walker to an enigmatic computer hacker named Serena leads to a seriously steamy interlude. And casual is the best way to describe Perry's seemingly effortless method of developing character and building suspense. His style is so assured as to be invisible, seamlessly supplying plot and character information as the chase leads from California to Chicago, Miami and finally a small town in New Hampshire. Though the finale echoes the premise of a particular Dachiell Hammett story, everything else feels as fresh as dawn.
