Frankenstein: Lost Souls
A Novel
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- $119.00
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- $119.00
Descripción editorial
#1 New York Times bestselling author Dean Koontz raises the stakes—and the suspense—taking his Frankenstein saga to a dynamic new level with the riveting story of a small town under siege, where good and evil, destruction and creation, converge as the fate of the world hangs in the balance.
FRANKENSTEIN: LOST SOULS
The war against humanity has begun. In the dead hours of the night, a stranger enters the home of the mayor of Rainbow Falls, Montana. The stranger is in the vanguard of a wave of intruders who will invade other homes . . . offices . . . every local institution, assuming the identities and the lives of those they have been engineered to replace. Before the sun rises, the town will be under full assault, the opening objective in the new Victor Frankenstein’s trajectory of ultimate destruction. Deucalion—Victor’s first, haunted creation—saw his maker die in New Orleans two years earlier. Yet an unshakable intuition tells him that Victor lives—and is at work again. Within hours Deucalion will come together with his old allies, detectives Carson O’Connor and Michael Maddison, Victor’s engineered wife, Erika Five, and her companion Jocko to confront new peril. Others will gather around them. But this time Victor has a mysterious, powerful new backer, and he and his army are more formidable, their means and intentions infinitely more deadly, than ever before.
BONUS: This edition contains an excerpt from Dean Koontz's The City.
PUBLISHERS WEEKLY
Set in Rainbow Falls, Mont., Koontz's goofy, grisly fourth riff on the Frankenstein theme (after Dead and Alive) finds Victor previously presumed dead but apparently as easily resurrected as cinematic incarnations of his monster perfecting his "New Race" of humanoid replicants. As affectless pod-person lookalikes gradually replace the town's citizens, the task of saving humanity from Victor and his megalomaniacal plans to "destroy the soul of the world" fall once again to husband-and-wife detectives Michael and Carson Maddison; Victor's soulsearching original monster, Deucalion; and a host of local yokels who provide both sympathy and comic relief. That the "good guys" are instantly recognizable by their abundant compassion, generosity, and sense of humor and the "bad guys" by their fussbudget fastidiousness and dedication to efficient extermination of inferior humans helps lay the foundation for the humanitarian homilies that punctuate the narrative.
