Highway Thirteen
Stories
-
- $249.00
-
- $249.00
Descripción editorial
WINNER OF THE STORY PRIZE
Winner of the Victorian Premier's Literary Award for Fiction | Nominated for the DUBLIN Literary Award | Short-listed for the the Miles Franklin Literary Award, the ABIA Literary Fiction Book of the Year, and the Ned Kelly Award for Best Crime Fiction
Named a Best Fiction Book of the Year by Minnesota Star Tribune and Kirkus | A New Yorker Recommended Read of the Year
A gripping, enigmatic collection of linked short stories about the reverberations of a serial killer’s crimes in the lives of everyday people.
In the small town of Barrow, Australia, people go about their ordinary lives. They drive to work through the dense state forest. They raise their families. They flirt and yearn. They lie and confess. Some of them leave home. Some of them return.
Darkness thrums beneath the surface of these ordinary lives: the violence of one man, a serial killer whose murders made Barrow infamous. His twelve victims—women, men, mostly young—are long gone, but their deaths are felt, beyond the forest where they were buried, beyond this country, beyond even this time. In the past, where a young woman on a school trip to Rome sees something she shouldn’t have. In the present, where a man confronts an ancient grief on the suburban streets of Texas. In the future, in the hands of journalists and podcast hosts and television actors whose livelihoods hinge on the twin spectacles of loss and violence.
Highway Thirteen is a luminous wonder: a book about the collisions between public and private selves, between parents and children, between history and what comes after, between the living and the dead. Fiona McFarlane’s roving vision is itself a story about stories—those we tell, retell, forget, sell, disprove, inherit, live through—and a work of extraordinary power and magic.
PUBLISHERS WEEKLY
In these eerie and insightful linked stories, McFarlane (The Sun Walks Down) explores a serial killer's rampage and its impact on an Australian community. The volume opens with "Tourists," which takes place in 2005, nearly a decade after the killings that have since made Barrow a tourist destination for true crime fanatics. There, a local woman tells a coworker she can sense the presence of a victim whose body is yet to be discovered. McFarlane then rewinds to 1996 with "Hunter on the Highway," when hitchhikers are turning up dead and the killer is at large, prompting a young woman to wonder if her boyfriend is the culprit. In "Democracy Sausage," set in 1998, a political candidate's chances for victory are dashed because he shares the surname of the man recently charged with the killings, taxi driver Paul Biga. Media coverage of the case gets further explored in "Fat Suit," about an actor made up to look like the corpulent Biga for a salacious 2024 biopic. McFarlane beautifully renders the ways in which news of the crimes warps some of her cast's relationships and causes other characters to slip into obsession. It's a standout meditation on a community's legacy of violence.