Imaginary Friend
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- $229.00
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- $229.00
Descripción editorial
From a New York Times bestselling author, a young boy is haunted by a voice in his head in this "epic horror" novel, perfect for fans of Stephen King (Dan Chaon, author of Ill Will).
Single mother Kate Reese is on the run. Determined to improve life for her and her seven year-old son, Christopher, she flees an abusive relationship in the middle of the night. At first, the tight-knit community of Mill Grove, Pennsylvania seems like the perfect place to finally settle down. Then Christopher vanishes. Days later, he emerges from the woods at the edge of town, unharmed but not unchanged. He returns with a voice in his head only he can hear, with a mission only he can complete: Build a treehouse in the woods by Christmas, or his mother and everyone in the town will never be the same again.
Twenty years ago, Stephen Chbosky's The Perks of Being a Wallflower made readers everywhere feel infinite. Now, Chbosky has returned with an epic work of literary horror, years in the making, whose grand scale and rich emotion redefine the genre. Read it with the lights on.
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Chbosky's ambitious second novel (after 1999's The Perks of Being a Wallflower) is a tale of good vs. evil that never gels. Seven-year-old Christopher and his mother, Kate, move to Mill Grove, Pa., after Kate leaves her abusive boyfriend. Kate gets a job at an old folks' home, and Christopher, who has a learning disability, starts second grade and makes friends with a boy nicknamed Special Ed. One day, Christopher disappears into the Mission Street Woods; he emerges six days later, unscathed but his learning disability has disappeared. Kate then wins the lottery and buys a new house bordering the woods, where a disembodied voice tells Christopher to build a tree house. Before long, Christopher gets debilitating headaches and strange revelations, a mysterious sickness spreads throughout the community, and a terrifying entity dubbed "the hissing lady" lurks around town. Chbosky brings deep humanity to his characters and creates genuinely unsettling tableaux, including a nightmarish otherworld that Christopher accesses via his treehouse, but considerable repetition extends the narrative while diminishing its impact. Christian overtones (some subtle, others less so) are pervasive, especially in the finale, and add little to the story. This doorstopper is long on words but short on execution.
