Juneteenth
A Novel
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- $149.00
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- $149.00
Descripción editorial
From the author of the classic novel Invisible Man, Ralph Ellison's Juneteenth is a powerful and brilliantly crafted tale that explores themes of identity, race, and ambition.
"[A] stunning achievement. . . . Ellison sought no less than to create a Book of Blackness, a literary composition of the tradition at its most sublime and fundamental."—Henry Louis Gates, Jr., Time
The story follows Adam Sunraider, a race-baiting senator, whose life takes an unexpected turn when he calls for Alonzo Hickman, an old Black minister, to be by his side as he faces a mortal wound. As the two men intimately share their stories and memories, the true shape and substance of the past begin to emerge.
Here is Ellison, a virtuoso of American vernacular—the preacher’s hyperbole and the politician’s rhetoric, the rhythms of jazz and gospel and ordinary speech—at the height of his powers, telling a moving, evocative tale of a prodigal of the twentieth century.
With an introduction and additional notes by John F. Callahan, who first compiled Juneteenth out of thousands of manuscript pages in 1999, and a preface by National Book Award-winning author Charles R. Johnson.
“Beautifully written and imaginatively conceived, Juneteenth, like Invisible Man, deserves to be read and reread by generations.” —The Atlanta Journal-Constitution
PUBLISHERS WEEKLY
When Ralph Ellison died in 1994, he left behind a manuscript he'd been working on since the '50s. John Callahan's introduction to this long-awaited edition explores Ellison's life and the history of this second novel (after, of course, the classic Invisible Man), cataloguing such disasters as the near-finished manuscript being destroyed in a fire in 1967. The novel turns out to have survived the many obstacles to its birth, for after a rather windy beginning, Ellison writes beautifully, in the grand, layered Southern tradition. The narrative begins in 1950s Washington, D.C., with Adam Sunraider, a race-baiting senator who is gunned down on the Senate floor while a man named Hickman watches in the gallery. Rushed to the hospital, Sunraider requests Hickman's presence, and the story of the two men's agonized relationship is told in flashbacks as Hickman attends the dying senator. Decades before, Alonzo Hickman was an ex-trombone player turned circuit preacher raising a young boy of indeterminate race named Bliss.The boy assists Hickman in his revivals, rising out of a white coffin at a certain moment in the sermon. Bliss grows up to change his name to Adam Sunraider and, having passed for white, has gone from being a flimflam artist and movie maker to the U. S. Senate Always, however, he is in flight from Hickman. These flashbacks showcase Ellison's stylized set pieces, among the best scenes he has written, especially as his incandescent images chart the mysteries and legacies of slavery. Bliss remembers his courtship of a black woman in a piercingly sweet reverie, and he revisits a revival meeting on Juneteenth , the date in 1865 on which slaves in Texas were finally informed of the Emancipation Proclamation. The sermon in this section is perhaps the highlight of the novel, sure to achieve classic status on its own merits. The revival meeting is interrupted by a white woman who claims Bliss is her son, after which Bliss begins his odyssey for an identity that takes him, by degrees, away from the black culture of his youth. Gradually, we learn of the collusion of lies and violence that brought Bliss to Hickman in the first place. Editor Callahan, in his informative afterword, describes the difficult process of editing Ellison's unfinished novel and of arranging the massive body of work into the unwieldy yet cohesive story Ellison wanted to tell. The difficulties he faced are most obvious in the ending, which is Faulknerian to a fault, even to the overuse of the word "outrage." Nonetheless, this volume is a visionary tour de force, a lyrical, necessary contribution to America's perennial racial dialogue, and a novel powerfully reinforcing Ellison's place in literary history. 100,000 first printing; BOMC double main selection.
