Keeping the World Away
A Novel
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5.0 • 1 calificación
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- $25.00
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- $25.00
Descripción editorial
Gwen, a bold and spirited young English artist, defies convention and sets out to study in Paris, where she has a tumultuous affair with the inspiring, controlling sculptor Rodin. But as the relationship cools, Gwen feels lonely and adrift as she awaits the ever more infrequent visits from her lover. Attempting to restore her artistic vision and recapture her true self, Gwen pours out her soul onto a canvas, creating an intimate painting of a quiet corner of her attic room.
Lost, found, stolen, sold, and fought over, the painting enchants all who possess it. First it falls into the hands of Charlotte, a dreamy intellectual with artistic leanings–though little talent. In turn the work finds its way to the lovely, bright Stella; the destitute but willful Lucasta; self-sufficient Ailsa; and, finally, young, curious Gillian. All of whom long for a tranquil golden place such as the one depicted in the painting, a haven where they can “keep the world away.”
Praise for Keeping the World Away:
“Evocative . . . an apparently simple yet potent work of art.”
–The New York Times Book Review
“Highly recommended . . . One small painting, a still life of a corner of an attic room, is the thread that ties this moving novel together.”
–Library Journal (starred review)
“It is the painting’s power to evoke tranquility that Forster so effectively celebrates.”
–Richmond Times-Dispatch
“Haunting . . . revealing . . . exquisitely drawn.”
–The Washington Post Book World
“An intimate, subtly crafted, satisfying read.”
–Kirkus Reviews
PUBLISHERS WEEKLY
An enigmatic painting by Gwen John created as the young English artist pined for her neglectful lover, Rodin, connects the disparate characters in this century-spanning sentimental tale. Forlorn Gwen paints a canvas of a corner of her Paris flat intended to "signify herself calm, peaceful, content" and gives it to a friend, who misplaces it. So begins the painting's journey as it ends up in the possession of an artistically bankrupt teenager, an impoverished nurse, a downtrodden farmer, a scorned wife, an aging woman returning to Paris after a long absence and, finally, a promising art student, all of whom find either strength or solace in the valuable work. Though the men characters are less than convincing, Forster captures a wide swath of 20th-century European womanhood.
