Leave No Trace
A National Parks Thriller
-
- $329.00
-
- $329.00
Descripción editorial
In a daring, brutal act of terrorism, an explosion rocks and topples the Statue of Liberty. Special Agent Michael Walker of the National Park Service is awakened by his boss with that news and sent to New York as the agent-in-charge. Not long after he lands, he learns two things - one that Gina Delgado of the FBI has been placed in charge of the investigation as the lead of the Joint Terrorism Task Force and two, that threats of a second terrorism attack are already being called into the media. While barred from the meetings of the Joint Task Force for his lack of security clearance, Walker finds a young boy among the survivors with a critical piece of information - a video linking the attackers to the assault.
As a radical domestic terrorist group, led by a shadowy figure known only as Jeremiah, threatens further attacks against America's cultural symbols, powerful forces within the government are misleading the investigation to further their own radical agenda.
PUBLISHERS WEEKLY
This mixed-bag series launch from Landau, a pseudonym for Jon Land (the Murder, She Wrote series) and Jeff Ayers (Voyages of Imagination), gets off to a gripping start, but struggles to sustain its momentum. After an explosion topples the Statue of Liberty, killing hundreds and injuring thousands more, special agent Michael Walker of the National Parks Service and FBI explosives expert Gina Delgado are among the first on the scene. The well-organized attack seemed to leave no leads for the investigators to pursue—until Walker locates a young survivor who captured video of the likely perpetrators aboard what appears to be a Park Police boat in the New York Harbor. Interspersed with Walker and Delgado's investigation are chapters from the perspective of Lantry, a Lakota Sioux man who's also tracking the terrorists. As the parallel investigations unfold, it becomes clear that the Statue of Liberty attack was only the beginning of a plan to take down American democracy. The novel's first act builds up plenty of goodwill, but Land and Ayers mostly squander it by weighing down the narrative with excessive exposition and revealing their villains' identities too early. Here's hoping the follow-up irons out the kinks.
