Paris in the Dark
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- $179.00
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- $179.00
Descripción editorial
A novel of murder and espionage during the First World War: "Rich atmosphere and a propulsive plot...a satisfying, stylish thrill."―The Tampa Bay Times
Autumn 1915. World War I is raging across Europe, but Woodrow Wilson has kept Americans out of the trenches—though that hasn't stopped young men and women from crossing the Atlantic to volunteer at the front. Christopher "Kit" Cobb, a Chicago reporter with a second job as undercover agent for the U.S. government, is officially in Paris doing a story on American ambulance drivers, but his intelligence handler, James Polk Trask, soon broadens his mission. City-dwelling civilians are meeting death by dynamite in a new string of bombings, and the German-speaking Kit seems just the man to figure out who is behind them—possibly a German operative who has snuck in with the waves of refugees coming in from the provinces and across the border in Belgium. But there are elements in this pursuit that will test Kit Cobb, in all his roles, to the very limits of his principles, wits, and talents for survival.
With Paris in the Dark, Pulitzer Prize winner Robert Olen Butler returns to his lauded Christopher Marlowe Cobb series and proves once again that he can craft "a ripping good yarn" (Wall Street Journal) with unmistakably literary underpinnings and a rich sense of the political and cultural atmosphere of the time.
"Best is Butler's feel for the black-and-white-movie atmospherics of a war zone after hours: It's a thrill to follow Kit to German hangouts like Le Rouge et le Noir, where a password will get you in, but there's no guarantee you'll get out."―Marilyn Stasio, The New York Times Book Review
PUBLISHERS WEEKLY
In Butler's flawed fifth outing for Christopher "Kit" Cobb (after 2014's The Empire of Night), the Chicago newspaperman who doubles as an American spy, investigates a series of seemingly random bombings in Paris in the autumn of 1915. Kit, who's in Paris to write a feature story on American ambulance drivers, suspects the culprits could be among the many refugees flooding into the city to avoid the war in the countryside. Slowly, however, his focus shifts to a different group of saboteurs: American terrorists seeking to coax the U.S. into the conflict. Though Butler effectively captures the social flavor and visuals of WWI-era Paris, thriller readers accustomed to logic and procedure will be frustrated. Kit, for instance, never visits the scene of a bombing or interviews witnesses, and the finale takes place in that old chestnut, the Catacombs, where the bombers have inexplicably holed up to build their next explosive device. Series fans who don't mind melodrama and the sometimes lead-footed tempo will be satisfied.
