San Francisco Noir
-
- $179.00
-
- $179.00
Descripción editorial
This anthology of "genuinely haunting noir fiction" set in the Golden City features new stories by Jim Nisbet, Alejandro Murguía, Michelle Tea and others (Publishers Weekly).
Oscar Wilde once quipped that anyone who disappears is said to be seen in in San Francisco. With its famous fog, winding streets, and hazardously steep hills, it is certainly an ideal place for getting lost. It's also an ideal setting for noir fiction. From Fisherman's Warf and The Golden Gate Bridge to The Haight-Ashbury, Chinatown, and Russian Hill, fifteen authors explore the sordid side of the City by the Bay in this sterling collection.
San Francisco Noir features brand-new stories by Barry Gifford, Robert Mailer Anderson, Michelle Tea, Peter Plate, Kate Braverman, Domenic Stansberry, David Corbett, Eddie Muller, Alejandro Murguía, Sin Soracco, Alvin Lu, John Longhi, Will Christopher Baer, Jim Nisbet, and David Henry Sterry.
PUBLISHERS WEEKLY
A roster of Bay Area authors lends solid street cred to 15 original stories, but few deliver on the elusive noir premise of this new series. Following the success of Brooklyn Noir (2004), Akashic has launched a set of anthologies in which each story takes place in a distinct neighborhood in a different city. In his introduction, Maravelis perhaps overcomplicates the idea when he asks, "What happens when the history of a city begins to disappear? What happens to literature when it feeds upon the ruins of amnesia?" Most of the stories by Alejandro Murgu a, Kate Braverman and others feel as if they were written for a general literary anthology, all good enough but hardly satisfying as noir. Contemporary noir titan Jim Nisbet especially disappoints, with a vaguely science fictional vignette about a futuristic suicide barrier on the Golden Gate Bridge. Saving the day, Domenic Stansberry and Eddie Muller deliver genuinely haunting noir fiction, Michelle Tea does a nice modern-day homage to the form, and Peter Plate nails down the violently absurd Willefordian side of the genre with a tale about a Bad Santa knocking over a pot club.
