The Age of Doubt
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4.0 • 1 calificación
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- $159.00
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- $159.00
Descripción editorial
“You either love Andrea Camilleri or you haven’t read him yet. Each novel in this wholly addictive, entirely magical series, set in Sicily and starring a detective unlike any other in crime fiction, blasts the brain like a shot of pure oxygen...transporting. Long live Camilleri, and long live Montalbano.”
—A.J. Finn, #1 New York Times bestselling author of The Woman in the Window
The day after a storm floods Vigàta, Inspector Montalbano encounters a strange, bedraggled woman who expresses interest in a certain yacht scheduled to dock that afternoon. Not long after she's gone, the crew of the yacht reports having found a dinghy in the port, and within it, a disfigured corpse. Also at anchor is an eighty-five-foot luxury boat with a somewhat shady crew. Both boats will have to stay in Vigàta until the investigation is over—the unidentified man was poisoned, it seems. Based on the information—and misinformation—the mysterious woman shared with him, Montalbano begins to think the occupants of the yacht just might know a little more about the man's death than they're letting on.
PUBLISHERS WEEKLY
Near the start of Camilleri's exquisite 14th mystery featuring Insp. Salvo Montalbano (after 2011's The Potter's Field), the self-deprecating, passionately foul-mouthed Sicilian policeman befriends a young woman, Vanna Digiulio, while both are stranded in a traffic jam during a storm that's washed out the coast road. Vanna's claim to have been on her way to Vig ta to meet her aunt's yacht, the Vanna, strikes the inspector as suspicious. When the yacht docks with the disfigured body of a man that the Vanna picked up from a dinghy adrift near the harbor mouth, Montalban informs the boat's owner, an imperious signora, that she must remain in port while he investigates the man's murder. His proposal that she stay with her niece elicits the reply, "What niece?" The awkward humanity and everyday sadness of Camilleri's characters make them instantly sympathetic, while wry commentary on language, food, and local customs lend color.
