The Rice Mother
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- $75.00
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- $75.00
Descripción editorial
At the age of fourteen, Lakshmi leaves behind her childhood among the mango trees of Ceylon for married life across the ocean in Malaysia, and soon finds herself struggling to raise a family in a country that is, by turns, unyielding and amazing, brutal and beautiful. Giving birth to a child every year until she is nineteen, Lakshmi becomes a formidable matriarch, determined to secure a better life for her daughters and sons. From the Japanese occupation during World War II to the torture of watching some of her children succumb to life’s most terrible temptations, she rises to face every new challenge with almost mythic strength. Dreamy and lyrical, told in the alternating voices of the men and women of this amazing family, The Rice Mother gorgeously evokes a world where small pleasures offset unimaginable horrors, where ghosts and gods walk hand in hand. It marks the triumphant debut of a writer whose wisdom and soaring prose will touch readers, especially women, the world over.
PUBLISHERS WEEKLY
Manicka's luminous first novel is a multigenerational story about a Sri Lankan family in Malaysia. In the 1920s, Lakshmi is a bright-eyed, carefree child in Ceylon. But at 14, her mother marries her to Ayah, a 37-year-old rich widower living in Malaysia. When she arrives at her new home, she promptly discovers that Ayah is not rich at all, but a clerk who had borrowed a gold watch and a servant to trick Lakshmi's mother. Ayah is for the most part a decent man, however, and Lakshmi rallies and takes control of a sprawling household that soon includes six children of her own. There is a period of contented family life before WWII and the Japanese occupation of Malaysia, during which Lakshmi's eldest and most beautiful daughter, Mohini, is abducted and killed by Japanese soldiers. The family unravels as Ayah withdraws and Lakshmi falls prey to fits of rage. Mohini's twin brother, Lakshmnan, becomes a compulsive gambler, leaving his own wife and three children impoverished. The story is told through the shifting perspectives of different family members, including son Sevenese, who can see the dead; youngest daughter, Lalita, neither pretty nor gifted; Rani, Lakshmnan's fierce and beleaguered wife; and Lakshmnan's daughter, Dimple. Their voices are convincingly distinct, and the prismatic sketches form a cohesive and vibrant saga. Manicka can be a bit syrupy on the subjects of childhood and maternal love, but she also has a fine feeling for domestic strife and the ways in which grief permeates a household.
