A Tragic Honesty
The Life and Work of Richard Yates
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- USD 11.99
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- USD 11.99
Descripción editorial
Blake Bailey's A Tragic Honesty is the first biography of acclaimed American novelist and story writer Richard Yates
Celebrated in his prime, forgotten in his final years, only to be championed anew by our greatest contemporary authors, Richard Yates has always exposed readers to the unsettling hypocrisies of our modern age. Classic novels such as Revolutionary Road and The Easter Parade are incomparable chronicles of the quiet and not-so-quiet desperation of the American middle-class. Lonely housewives, addled businessmen, desperate career-girls and fearful boys and soldiers, Yates's America was a panorama of high living, self-doubt and self-deception. And in the tradition of other great realistic writers of his time (Fitzgerald and Hemingway, Cheever and Updike), Yates's fictional world mirrored his own. A manic-depressive alcoholic and unapologetic gentleman, his life was a hornets' nest of childhood ghosts, the horrors of war, money woes, and ebullient cocktailed evenings in New York, Hollywood, and the Riviera.
A Tragic Honesty is a masterful evocation of a man who in many ways embodied the struggles of the Great American Writer in the latter half of the twentieth century. Fame and reward followed by heartbreak and obscurity, Richard Yates here stands for what the writer must sacrifice for his craft, the devil's bargain of artistry for happiness, praise for sanity.
PUBLISHERS WEEKLY
Richard Yates's most famous novel, Revolutionary Road, set the tone for most of his later fiction: it was, for biographer Bailey, a thinly veiled depiction of Yates (1926 1992) and his immediate surroundings, in many cases with the names barely changed, and was widely praised at the time of its release only to fade into semi-obscurity except for a small group of devotees. Bailey's (The Sixties) massive biography strip-mines Yates's fiction for details of his life; on more than one occasion, the abundance of story elements with real-life parallels is used to suggest that another element, such as the protagonist's affair with a prostitute in the short story "Liars in Love," might also have some basis in fact. These conjectures are offset by extensive interviews with surviving family and acquaintances. At times the sheer amount of information can be overwhelming, in part because the reader is subject to an unrelenting depiction of Yates's life as "a parody of the self-destructive personality." He smoked heavily for decades despite tuberculosis, emphysema and pneumonia, and was often barely able to breathe, and eyewitnesses recall numerous provocative outbursts and emotional breakdowns brought on by the potent combination of manic-depression and alcoholism. And there's the repeated heartache of an author pushing himself time and time again to complete a book, never quite obtaining the success he so desperately wants. Apart from a tendency to throw in disruptive foreshadowing asides, Bailey has done a great job of sorting through the facts of Yates's difficult life, assembling them into a story that mirrors the best of his subject's fiction.
