All That Glittered
The Golden Age of Drama on Broadway, 1919-1959
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- USD 11.99
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- USD 11.99
Descripción editorial
From the late 1920s to late 1950s, the Broadway theatre was America's cultural epicenter. Television didn't exist and movies were novelties. Entertainment took the form of literature, music, and theatre. During this golden age of Broadway, actors and actresses became legends and starred in now classic plays. Laurence Olivier, Alfred Lunt and Lynne Fontaine were names to remember, etching plays into memory as they brought the words of Tennessee Williams or Eugene O'Neill to life. Joseph Cotton romanced Katherine Hepburn in Philip Barry's The Philadelphia Story while Laurette Taylor became The Glass Menagerie's Amanda Wingfield. Frederic March, Florence Eldridge, Jason Robards Jr. and Bradford Dillman showed us life among the ruins in Long Day's Journey Into Night. In All That Glittered, Ethan Mordden, long one of Broadway's best chroniclers, recreates the fascinating lost world of its golden age.
PUBLISHERS WEEKLY
Acclaimed for his sprightly histories of the Broadway musical, the author turns to nonmusical theater in this scintillating survey. Mordden considers New York theater the wellspring of mid-century American culture, especially during the 1930s, when the advent of talkies forced a Hollywood desperate for material to ransack Broadway for scripts and the talent that could bring their dialogue to life. Thus, he contends, "West-Central Manhattan" remade America in its own image urban, sophisticated and racy, presided over by the wisecracking reporter and "that ubiquitous 1930s character, the Unmarried Sarcastic Woman," and tinged with an ironic gay sensibility. Mordden brings out his themes in an anecdote-strewn tour of significant (and some not so significant) productions, pausing now and again for set-piece drama criticism comparing O'Neill's The Iceman Cometh, for example, with Rachel Crothers's comedy Susan and God and perpetually tossing off witty asides (the sublimely square actor Ralph Bellamy, he observes, "brings the Clueless Hetero to a completion so absolute that creates something never before thought possible or even necessary: the opposite of Kabuki"). Erudite, but casual and conversational, and full of fresh perceptions, Mordden is a charmingly insightful raconteur who condenses 40 years' worth of opening nights into a single engrossing montage. Photos.
