Calcutta
Two Years in the City
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- USD 9.99
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- USD 9.99
Descripción editorial
The award-winning author Amit Chaudhuri has been widely praised for the beauty and subtle power of his writing and for the ways in which he makes “place” as complex a character as his men and women. Now he brings these gifts to a spellbinding amalgam of memoir, reportage, and history in this intimate, luminous portrait of Calcutta.
Chaudhuri guides us through the city where he was born, the home he loved as a child, the setting of his acclaimed novels—a place he now finds captivating for all the ways it has, and, perhaps more powerfully, has not, changed. He shows us a city relatively untouched by the currents of globalization but possessed of a “self-renewing way of seeing, of inhabiting space, of apprehending life.” He takes us along vibrant avenues and derelict alleyways; introduces us to intellectuals, Marxists, members of the declining haute bourgeoisie, street vendors, domestic workers; brings to life the city’s sounds and smells, its architecture, its traditional shops and restaurants, new malls and hotels. And, using the historic elections of 2011 as a fulcrum, Chaudhuri looks back to the nineteenth century, when the city burst with a new vitality, and toward the politics of the present, finding a city “still not recovered from history” yet possessed of a singular modernity.
Chaudhuri observes and writes about Calcutta with rare candor and clarity, making graspable the complex, ultimately ineluctable reasons for his passionate attachment to the place and its people.
PUBLISHERS WEEKLY
The "two years" in the title of this eloquent work of noblesse oblige is misleading, since the Indian-English author, musician, and professor of literature (The Immortals) was born in Calcutta in the early 1960s and spent much time there in the decades since. Chaudhuri draws on mostly tender, impressionistic memories of his hometown descriptions familiar to readers of his fiction trilogy Freedom Song (collected in one volume). He felt compelled to write about Calcutta because of the city's down-on-its-heels modernity, edgy diversity, and Marxist politics; he was taken by Calcutta's crumbling colonial glory and architecture, its Bengali bourgeois class that aped the English ways, its literary and artistic inheritance (Tagore, Shankar), and its enormous number of destitute immigrant workers. The twice-partitioned Bengali capital became a kind of exotic mistress that the author, educated at Oxford and Cambridge, could not quit, and while his impressions are astute, his considerations of the lower classes, including the servants in his house, can seem patronizing.
