Havana Year Zero
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- USD 14.99
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- USD 14.99
Descripción editorial
Sex, lies, and scientific history collide in 1993 Havana.
It was as if we’d reached the minimum critical point of a mathematical curve. Imagine a parabola. Zero point down, at the bottom of an abyss. That’s how low we sank.
The year is 1993. Cuba is at the height of the Special Period, a widespread economic crisis following the collapse of the Soviet bloc.For Julia, a mathematics lecturer who hates teaching, this is Year Zero: the lowest possible point. But a way out appears: the search for a missing document that will prove the telephone was invented in Havana, secure her reputation, and give Cuba a purpose once more. What begins as an investigation into scientific history becomes a tangle of sex, friendship, family legacies, and the intricacies of how people find ways to survive in a country at its lowest ebb.
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Cuban writer Suárez's inventive if overwrought English-language debut follows a group of literary and math types who latch onto a Quixotic sense of purpose during a period of national despair. Cuba in 1993 is at its nadir—the shops are empty and the island is economically and politically isolated after the fall of the Soviet Union, and wary of "anything that came from outside," according to the narrator, Julia, an apathetic 30-year-old math teacher. Julia and her former professor and lover Euclid discuss a historic document from Antonio Meucci that shows he invented the telephone in Cuba decades before Alexander Graham Bell. After getting hit by a cyclist, a man named Ángel comes to Julia's aid and they start a romance. Through him she meets Leonardo, an author writing a novel about Meucci; and at Leonardo's salon, she meets an Italian journalist writing about Cuban literature. All of these people know about the mysterious Meucci document, though only Ángel and Euclid have seen it, since both had ties to the document's onetime owner, Ángel's ex-wife and Euclid's daughter. The relationships among the five become increasingly messy, as infidelities and speculation abound. While the histrionics are sometimes wearing ("There have been plenty of times when Havana was the wrong place for many things"), the portrayal of the characters' obsession has plenty of heart. Suárez's kaleidoscopic take on recent Cuban history is worth a look.
