Icefields
Landmark Edition
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- USD 11.99
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- USD 11.99
Descripción editorial
In 1898, Doctor Edward Byrne slips on the ice of the Arcturus glacier in the Canadian Rockies and slides into a crevasse, wedged upside down nearly sixty feet below the surface. As he fights losing consciousness, a stray beam of sunlight illuminates the ice in front of him and Byrne sees something in the blue-green radiance that will forever link him to the ancient glacier. In this moment, his life’s purpose becomes uncovering the mystery of the icefield that almost was his tomb. Along the way, he encounters similarly fixated individuals, each immersed in their own quest: the healer and storyteller Sara; the bohemian travel writer Freya Becker; the entrepreneur Trask; the poet Hal Rowan; and Elspeth, greenhouse keeper and Byrne's lover.
First published in 1995, Wharton’s Icefields is an astonishing historical novel set in a mesmerizing literary landscape, one that is constantly being altered by the surging and retreating glacier and unpredictable weather. Here—where characters are pulled into deep chasms of ice as well as the stories and histories they tell one another—is a vivid, daring, and crisply written book that reveals the human spirit, loss, myth, and elusive truths.
This updated Landmark Edition includes an author interview with Smaro Kamboureli and an Afterword by award-winning writer Suzette Mayr.
PUBLISHERS WEEKLY
This first novel by Canadian Wharton, borrows something of the mystery and icy obsessiveness of Peter HYeg's Smilla's Sense of Snow, the bleak hallucinatory vision of William Vollman's The Ice Shirt and a cast of haunted characters reminiscent of Josephine Hart's Damage. The result is a bit of a pastiche of styles and subjects of recent popular books (there's even evidence of an angel). But Wharton is a competent writer and this is likely to be strong on sales, even if it's not long on inventiveness. In 1898, Doctor Edward Byrne leaves England for an expedition to the Arcturus glacier. A fall into a crevasse hints at the magic of the glacier, and his subsequent convalescence in the "town" of Jasper clinches it. Byrne becomes increasingly tied to the glacier, not only bivouacking on a nunatak or rognon but obsessively describing it and studying it. As one Jasper resident says of his work on glaciers, "I thought he was the one man on earth who bothered that much with them, that this science was his alone, that he had invented it. Arcturology. The science of being distant, and receding a little every year." As the glacier recedes, it reveals new objects, some transformed beyond recognition by its passing. Time does the same thing for characters in the story, absorbing some only to spit them up later in another form, dragging others under forever. Wharton has a fine sense of description, dialogue that is as spare as the landscape and a subtle hand with narrative. But underlying it all is an old-world sense of awe (think Burke, Byron, Shelley) that allows this spare novel to transcend its limitations.
