Last Essays of Maurice Hewlett Last Essays of Maurice Hewlett

Last Essays of Maurice Hewlett

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Descripción editorial

Why it was that my great-grandfather left the village in Somerset in and on which his forefathers, I believe, had lived from the time of Domesday, why he forsook agriculture and cider for the law, married in Shoreditch, settled in Fetter Lane, went back to Somerset to bury his first child, and returned to London to beget my grandfather, be ultimately responsible for me, and break finally with his family cradle, I never understood until the other day when, in good company, I took the road, left the bare hills—how softly contoured, how familiar, and how dear—of South Wilts, topped the great rock on which Shaftesbury lifts, dived down into Blackmore Vale, and so entered my county of origin at its nearest point, namely Wincanton (where I saw, by the by, a palæolithic man alive and walking the world)—to find myself in a land of corn and wine and oil, or so it seemed, such a land as those who love deep loam, handsome women, fine manners and a glut of apples more than most things in this life (and there are few things better), would never leave if they could help it. That is a long sentence with which to begin an essay, but it expresses what I did, and very much how I did it.

In a word, I left Broadchalke and drove to Yeovil, within ten miles of which thriving town the family to which I belong itself throve and cultivated its virtues, if any. My great-grandfather and I were not acquainted; but I remember my grandfather perfectly well, and can testify that he had virtues. He was on the tall side of the mean height, a deep-chested, large-headed old man, with hair snowy white, a rosy face, and cool, extremely honest blue eyes. He was hasty in his movements (and in his temper), trundled about rather than walked. I used to think as a boy that it could not be wholesome, and must be most inconvenient, to have such clean hands, such dazzling linen, and such polished pink filberts instead of finger-nails. I never saw him otherwise dressed than in black broadcloth, with shoes polished like looking-glasses, and a shirt-collar just so starched that it stood up enclosing his chin, yet so little that it took on the contours of his cheeks where they pressed it. He had a deep voice, with a cheer in it. I remember—for he had little else to say to me—how he used to put his hand on my head and murmur, as if to himself, “My boy, my boy,” in such a way that I felt in leaving him, as perhaps Jacob did with Isaac, that it would be impossible ever to do anything wrong again and betray such a noble affection. One other thing struck me, even then, young and ungracious as I was, and that was his extraordinarily fine manners. Since then, whenever I have considered manners, I have compared them with his. He is for me the staple of courtesy. They were the manners which bring a man more than half-way to meet you. He used them to all the world: to me, to the servants, to the crossing-sweeper, to the clerks from his office who used to come for papers when he was too old to go into London. I know now where he got them. They were traditional West Country manners; and sure enough when I walked the village street where, if my grandfather never walked, my great-grandfather did, the first man of whom I asked information met me with just the same forwardness of service, and seemed to know tentacularly what precisely lay behind the question which I put him. I had always been proud of my grandfather; now I was proud of my county. For if manners don’t make a man, they make a gentleman.

GÉNERO
Ficción y literatura
PUBLICADO
2021
4 de julio
IDIOMA
EN
Inglés
EXTENSIÓN
335
Páginas
EDITORIAL
Library of Alexandria
VENTAS
The Library of Alexandria
TAMAÑO
711.4
KB

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