Paradata and Transparency in Virtual Heritage Paradata and Transparency in Virtual Heritage
Digital Research in the Arts and Humanities

Paradata and Transparency in Virtual Heritage

    • USD 69.99
    • USD 69.99

Descripción editorial

Computer-Generated Images (CGIs) are widely used and accepted in the world of entertainment but the use of the very same visualization techniques in academic research in the Arts and Humanities remains controversial. The techniques and conceptual perspectives on heritage visualization are a subject of an ongoing interdisciplinary debate. By demonstrating scholarly excellence and best technical practice in this area, this volume is concerned with the challenge of providing intellectual transparency and accountability in visualization-based historical research. Addressing a range of cognitive and technological challenges, the authors make a strong case for a wider recognition of three-dimensional visualization as a constructive, intellectual process and valid methodology for historical research and its communication. Intellectual transparency of visualization-based research, the pervading theme of this volume, is addressed from different perspectives reflecting the theory and practice of respective disciplines. The contributors - archaeologists, cultural historians, computer scientists and ICT practitioners - emphasize the importance of reliable tools, in particular documenting the process of interpretation of historical material and hypotheses that arise in the course of research. The discussion of this issue refers to all aspects of the intellectual content of visualization and is centred around the concept of 'paradata'. Paradata document interpretative processes so that a degree of reliability of visualization outcomes can be understood. The disadvantages of not providing this kind of intellectual transparency in the communication of historical content may result in visual products that only convey a small percentage of the knowledge that they embody, thus making research findings not susceptible to peer review and rendering them closed to further discussion. It is argued, therefore, that paradata should be recorded alongside more tangible outcomes of research, preferably as an integral part of virtual models, and sustained beyond the life-span of the technology that underpins visualization.

GÉNERO
Negocios y finanzas personales
PUBLICADO
2016
13 de mayo
IDIOMA
EN
Inglés
EXTENSIÓN
344
Páginas
EDITORIAL
Taylor and Francis
VENTAS
Taylor & Francis Group
TAMAÑO
70.6
MB

Más libros de Anna Bentkowska-Kafel & Hugh Denard

Futures Past Futures Past
2007
Digital Visual Culture Digital Visual Culture
2009
Digital Art History Digital Art History
2005
Futures Past Futures Past
2012
Digital Visual Culture: Theory and Practice Digital Visual Culture: Theory and Practice
2011

Otros libros de esta serie

Networks and the Spread of Ideas in the Past Networks and the Spread of Ideas in the Past
2022
Information and Knowledge Organisation in Digital Humanities Information and Knowledge Organisation in Digital Humanities
2021
The Power of Networks The Power of Networks
2020
Medieval Manuscripts in the Digital Age Medieval Manuscripts in the Digital Age
2020
Access and Control in Digital Humanities Access and Control in Digital Humanities
2021
Transformative Digital Humanities Transformative Digital Humanities
2020