Seven Deadly Sins
Settling the Argument Between Born Bad and Damaged Good
-
- USD 1.99
-
- USD 1.99
Descripción editorial
For the first time, Slipknot and Stone Sour frontman Corey Taylor speaks directly to his fans and shares his worldview about life as a sinner. And Taylor knows how to sin. As a small-town hero in the early '90s, he threw himself into a fierce-drinking, drug-abusing, hard-loving, live-for-the moment life. Soon Taylor's music exploded, and he found himself rich, wanted, and on the road. His new and ever-more extreme lifestyle had an unexpected effect, however; for the first time, he began to actively think about what it meant to sin and whether sinning could--or should--be recast in a different light. Seven Deadly Sins is Taylor's personal story, but it's also a larger discussion of what it means to be seen as either a "good" person or a "bad" one. Yes, Corey Taylor has broken the law and hurt people, but, if sin is what makes us human, how wrong can it be?
PUBLISHERS WEEKLY
Fans of the heavy metal band Slipknot will eagerly devour its lead singer/songwriter Taylor's first book, which displays a prose that perfectly captures the supercharged energy, aggression, and outrageousness of Slipknot's music ("I was still kicking emotional crabs out of my soul crotch, reaching for the razor while rinsing out the Rid"). Starting with the premise that the seven deadly sins should be changed to "the seven petty sins," since the old ones are outdated and "barely PG-13," he ends by offering a list he calls the New Seven Deadly Sins," which include murder, child abuse, rape, and torture. In between, he barrels through his personal takes on positive aspects of the seven sins, such as his view of greed, "where one man's greed is another man's ambition" that "could cure cancer" even if that man only wants "the money that the patents will bring in." Overall, his hope is that people will "stop holding themselves back even slightly and start realizing potential they never dreamed existed," a hope that survived a harrowing childhood in a small Midwestern town "a cornucopia of racism, malicious intent, and ignorant torrents of pain" that he describes in the book's most powerful and moving chapter.
