Sketchtasy
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- USD 11.99
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- USD 11.99
Descripción editorial
Sketchtasy takes place in that late-night moment when everything comes together, and everything falls apart—it’s an urgent, glittering, devastating novel about the perils of queer world-making in the mid-‘90s.
This is Boston in 1995, a city defined by a rabid fear of difference. Alexa, an incisive twenty-one-year-old queen, faces everyday brutality with determined nonchalance. Rejecting middle-class pretensions, she negotiates past and present traumas with a scathing critique of the world. Drawn to the ecstasy of drugged-out escapades, Alexa searches for nourishment in a gay culture bonded by clubs and conformity, willful apathy, and the specter of AIDS. Is there any hope for communal care?
Sketchtasy brings 1990s gay culture startlingly back to life, as Alexa and her friends grapple with the impact of growing up at a time when desire and death are intertwined. With an intoxicating voice and unruly cadence, this is a shattering, incandescent novel that conjures the pain and pageantry of struggling to imagine a future.
PUBLISHERS WEEKLY
Caught between revelry and despair, the gay community of '90s Boston struggles to confront the AIDS crisis in this heart-rending novel from Sycamore (The End of San Francisco). A drag queen who goes by Alexa leaves ACT UP in San Francisco for college in Boston, but drops out when the flashbacks of her father's molestation and her deepening drug habit begin to converge. She turns tricks to get by and seeks out a therapist. She tells him that in California, "you went to a club one week and the next week the DJ was dead," and though "just as many people are dying in Boston," she feels like everybody's avoiding acknowledging the emergency. Alexa's friends, sick and strung out, start disappearing, and a scary, ketamine-laced hookup leads her to try AA. What she finds is the first "room full of gay men who are trying to take care of one another" she's been in since leaving ACT UP. Though Alexa's nights of cocaine, ecstasy, and dancing can come across as repetitive, Sycamore artfully captures Alexa's trauma that makes such revelry a necessary release. Even Alexa's inevitable relapse is made memorable by Sycamore: "There's the next day," she writes, "you have to deal with the next day." This is an excellent novel bolstered by its complex protagonist.
