Tante Eva
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- USD 9.99
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- USD 9.99
Descripción editorial
A woman and her niece are bound together and driven apart by loves, desires, frustrations, and addictions.
East Berlin, a few years after the fall of the Berlin Wall. Eva, a retired nurse, makes it through her day on a combination of stimulants and sleeping pills, wine and brandy. She finds fleeting joy in American jazz and blues records, and occasional visits from her married lover. Her friendly teenaged neighbor is her closest companion. Then her American niece, Maggie, arrives in Berlin. Eva is thrilled—Maggie is just the companion she’s been seeking. But happiness begins to slide from Eva’s grasp as Maggie’s own fierce drug addiction reveals itself.
Tante Eva is a story that deftly takes in decades of family life and German history, estrangement, joys, and disappointments. It is a portrait of East Berlin in the years after the Wall came down, and of an overlooked woman pursuing happiness and sexual pleasure. It is the finest book yet from Paula Bomer, an author whose work Jonathan Franzen describes as “some of the rawest and most urgent writing I can remember encountering.”
PUBLISHERS WEEKLY
Bomer (Inside Madeleine) takes a downbeat look at life in Germany shortly after the fall of the Berlin Wall in this underwhelming outing. Widow Eva Hermann, a retired nurse, lives in a rundown section of what was once East Berlin, where she spends her days listening to American jazz and blues and looking forward to her next sleeping pill or drink. Eva is overjoyed to hear that her American niece, Maggie, who has just graduated from Boston University, will be arriving for a visit. Eva has always regarded the idealistic Maggie as her true daughter, rather than her actual daughter, Elena, an artist who lives on beer and cigarettes and whose arrested development "confound" Eva. Her excitement over Maggie is mitigated somewhat by the presence of Maggie's older boyfriend, Tom, a pale, sweaty painter. Nevertheless, Eva introduces the couple to her married lover, Hansi, a former Stasi agent. Maggie turns out to be harboring a secret that will eventually overturn everything Eva thought she understood, including her perception of Elena. Eva's Berlin is well-delineated, though the aggressively edgy descriptions of skinheads, drug addicts, dying neighbors, missing teenage girls, and bad smells can feel forced, and the author's tendency to employ untranslated German dialogue without context feels off. In the end, this unrelievedly grim novel reads like 40 miles of dreary Autobahn.
