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Descripción de editorial
Of especially naughty children it is sometimes said, "They must have been raised by wolves."
The Incorrigible children actually were.
Since returning from London, the three Incorrigible children and their plucky governess, Miss Penelope Lumley, have been exceedingly busy. Despite their wolfish upbringing, the children have taken up bird-watching, with no unfortunate consequences—yet. And a perplexing gift raises hard questions about how Penelope came to be left at the Swanburne Academy for Poor Bright Females and why her parents never bothered to return for her.
But hers is not the only family mystery to solve. When Lord Fredrick's long-absent mother arrives with the noted explorer Admiral Faucet, gruesome secrets tumble out of the Ashton family tree. And when the admiral's prized racing ostrich gets loose in the forest, it will take all the Incorrigibles' skills to find her.
The hunt for the runaway ostrich is on. But Penelope is worried. Once back in the wild, will the children forget about books and poetry and go back to their howling, wolfish ways? What if they never want to come back to Ashton Place at all?
In this humorous kickoff to the Incorrigible Children of Ashton Place series, Wood (My Life: The Musical) injects new life into the governess theme by charging genteel 15-year-old Penelope Lumley (educated at the Swanburne Academy for Poor Bright Females) with three wild children Alexander, Beowulf, and Cassiopeia who were raised in the woods and taken into the "care" of Lord Frederic Ashton and his selfish, superficial bride (the children are living in a barn when Penelope arrives). With a Snicketesque affect, Wood's narrative propels the drama; Penelope is a standout, often invoking the truisms of her school's founder ("The best way to find out how fast a horse can run is to smack it on the rump") while caring for the Incorrigibles named such so they won't be presumed Ashton's heirs. Despite the slapstick situations involving the children's disheveled appearance, pack behavior, and lack of language, the real barbarism comes from the Ashtons and a society that eagerly anticipates their failure. Though the novel ends a bit abruptly, the pervasive humor and unanswered questions should have readers begging for more. Final art not seen by PW. Ages 8 12.