The Mad Women's Ball
The prize-winning, international bestseller and Sunday Times Top Fiction selection
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- USD 12.99
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- USD 12.99
Descripción editorial
'A darkly sumptuous tale of wicked spectacle, wild injustice and the insuppressible strength of women' EMMA STONEX, author of THE LAMPLIGHTERS
'An essential story of women resisting the unjust exertion of male power' SUNDAY TIMES
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The Salpêtrière asylum, 1885. All of Paris is in thrall to Doctor Charcot and his displays of hypnotism on women who have been deemed mad or hysterical, outcasts from society. But the truth is much more complicated - for these women are often simply inconvenient, unwanted wives or strong-willed daughters. Once a year a grand ball is held at the hospital. For the Parisian elite, the Mad Women's Ball is the highlight of the social season; for the women themselves, it is a rare moment of hope.
Geneviève is a senior nurse. After the childhood death of her sister, she has shunned religion and placed her faith in Doctor Charcot and his new science. But everything begins to change when she meets Eugénie, the 19-year-old daughter of a bourgeois family. Because Eugénie has a secret, and she needs Geneviève's help. Their fates will collide on the night of the Mad Women's Ball...
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'In this darkly delightful Gothic treasure, Mas explores grief, trauma and sisterhood behind the walls of Paris' infamous Salpetriere hospital' PAULA HAWKINS, author of A SLOW FIRE BURNING
'A beautifully written debut...I have absolutely no doubt it will be one of my favourite novels of 2021.' AJ PEARCE, author of DEAR MRS BIRD
'Essential reading' COSMOPOLITAN
'A deftly woven tale of hope and pain, judgement and redemption, cruelty and kindness. Utterly captivating and profoundly affecting.' Sunday Times bestseller, MIRANDA DICKENSON
'Enter the dance of this little masterpiece and let yourself be dazzled. Assured of hitting the bestseller lists' THE PARISIAN
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AN AMAZON PRIME ORIGINAL FILM STARRING MÉLANIE LAURENT
PUBLISHERS WEEKLY
French writer Mas debuts with a cinematic gothic story—soon to be a feature film—set in an abusive and exploitive 19th-century Parisian asylum. La Salpêtrière is inhabited almost entirely by women and girls whose male relatives have had them committed for hysteria. As Mas reveals, most of these women are survivors of rape or sexual abuse, but as far as the average Parisian is concerned, the women are grotesque and most likely dangerous. Set in 1885, during the weeks leading up to the hospital's annual costume ball, at which the bourgeoisie can indulge their voyeuristic inclinations and rub elbows with the "mad women," Mas's novel alternates among the perspectives of three characters. Louise fantasizes about becoming charismatic Dr. Charcot's next celebrity patient and about marrying a junior doctor; Eugénie is a bourgeois young woman who claims to see visions of the dead; and Geneviève is a long-time Salpêtrière nurse whose unwavering loyalty to her employer begins to falter as events unfold. Mas elegantly blends feminist history and spiritualism, and poignantly demonstrates how the hospital is both prison and refuge for its residents, as Geneviève simultaneously grows disillusioned and empowered. Mas's dark tale will have readers transfixed.
