The Shards
Bret Easton Ellis. The Sunday Times Bestselling New Novel from the Author of AMERICAN PSYCHO
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- USD 9.99
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- USD 9.99
Descripción editorial
The Sunday Times Bestseller
'A full-spectrum triumph' Guardian
A sensational new novel from the bestselling author of Less Than Zero and American Psycho that tracks a group of privileged Los Angeles high school friends as a serial killer strikes across the city. His first novel in 13 years, The Shards is Bret Easton Ellis at his inimitable best.
LA, 1981. Buckley College in heat. 17-year-old Bret is a senior at the exclusive Buckley prep school when a new student arrives with a mysterious past. Robert Mallory is bright, handsome, charismatic, and shielding a secret from Bret and his friends, even as he becomes a part of their tightly knit circle. Bret's obsession with Mallory is equalled only by his increasingly unsettling preoccupation with The Trawler, a serial killer on the loose who seems to be drawing ever closer to Bret and his friends, taunting them with grotesque threats and horrific, sharply local acts of violence.
Can he trust his friends – or his own mind – to make sense of the danger they appear to be in? Thwarted by the world and by his own innate desires, buffeted by unhealthy fixations, Bret spirals into paranoia and isolation as the relationship between The Trawler and Robert Mallory hurtles inexorably toward a collision.
Gripping, sly, suspenseful, deeply haunting and often darkly funny, The Shards is a mesmerizing fusing of fact and fiction that brilliantly explores the emotional fabric of Bret's life at 17 – sex and jealousy, obsession and murderous rage.
PUBLISHERS WEEKLY
Bret Easton Ellis, the narrator of this ponderous work of autofiction set in 1980s Los Angeles from bestseller Ellis, is a private school senior with literary ambitions who's fascinated by books and movies; he has already started writing his first novel, Less Than Zero. But Ellis the grown-up author ups the ante in several ways: he depicts a lavish lifestyle fueled by money and privilege, explores his own fluid sexuality (and that of some of his friends), and adds a lurid story of home invasions and murders (one victim is a high school friend). In effect, he mashes up Less Than Zero with American Psycho. As Ellis explores the theme of lost innocence ("It was as if another world was announcing itself, painting the one we had all safely taken for granted into a darker color"), he often demonstrates his skill as a storyteller, but this book feels like two disparate novels—an overly detailed, fictionalized memoir and a high gothic serial killer thriller—that never come together meaningfully or believably. This is not the place to start for those new to Ellis, nor will genre fans find much to like.
