Tide Running
A Novel
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- USD 11.99
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- USD 11.99
Descripción editorial
A striking and sensuous novel set in the contemporary Caribbean, by one of fiction's bright new stars
On the island of Tobago, Cliff, a young man from the poor town of Plymouth, watches the arrival of a foreign couple and their child to a luxurious house overlooking the ocean. The couple invites Cliff into their home and lives, and a relationship develops that tests sexual boundaries while unexpectedly revealing the depth of their racial and cultural differences. Things begin to go wrong--money is missing, the couple's car disappears. Feelings of suspicion and guilt arise, raising unsettling questions of wealth and responsibility, brilliantly portrayed against the lush backdrop of Tobago and the harsh, brittle world of Plymouth.
Oonya Kempadoo's second novel compellingly brings to life the characters of the contemporary Caribbean and captures the predicament of a young society looking to America for its fantasies and its heroes. Kempadoo's language is utterly captivating, making her one of the most original writers of contemporary fiction.
PUBLISHERS WEEKLY
Kempadoo's second novel (after Buxton Spice) is a sensuous, richly vernacular account of a young Tobagonian's intimate, ultimately disastrous intersection with a vacationing married couple. Cliff is a shy, aimless 20-year-old in the sleepy town of Plymouth on the Caribbean island of Tobago, whose fatherless family scrapes by on what his mother hustles from the "goods boat." As Cliff observes his friends falling into drugs and crime, he gravitates toward the charming openness of an interracial family with a vacation house nearby: Bella, a Trinidadian photographer; her husband, Peter, an English corporate lawyer who is white; and their small child, Oliver. Gradually Cliff becomes a friendly presence in Peter and Bella's airy, stunning home, and then much more as their three-way relationship deepens. But when Cliff begins to steal from the couple, the view of the limitless ocean a constant presence in the novel shrinks to the restricted prospect of a jail cell. Most of the novel is narrated in Cliff's heavy Tobagonian argot, challenging then mesmerizing, with stream-of-consciousness interjections by Bella. Kempadoo, sagely, does not condemn the rich outsiders for taking advantage of Cliff's disenfranchisement, but offers each character space for his or her own self-justification: Bella entertains "some na ve romance for rootsy background"; Peter, older than his wife, tests his manliness against Cliff's in a mock-serious way; while Cliff remains an enigma, falling into criminality through a kind of "watch me nuh" boastfulness. Kempadoo's knowledge of the class-conscious ways and speech of the island people is deep and sensitive; her resistance to sentimentality imbues her narrative with moments of startling and incisive clarity.
