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Descripción de editorial
The pursuit of Eros, the yearning for intimacy, and the struggle to reconcile bisexuality with a longing for children -- these are the desires etched in the hearts of the characters of this brave and probing novel by the award-winning author of Clara's Heart and Nightswimmer.
The moment that Sam Solomon, the protagonist of Vanitas, is transfixed by an erotic drawing that hangs in the apartment of a dying art dealer, Elliot Garland, he finds himself caught in an under-tow of confusion and longing. Garland, stricken with AIDS, has hired Sam to write his memoirs and yet manages to withhold crucial information about his life. Sam suspects, however, that the drawing, called Vanitas, is the relic of a dramatic, and secret, history that could provide answers to the questions his subject has refused to address.
Vanitas explores the intersections between the disparate worlds of art and art restoration, publishing, and urban relationships, all of which are in the grip of an implacable epidemic. As Sam traverses the landscapes of disease, romance, and mystery, he is enveloped by a culture in which individuals make tenuous connections with one another as land mines explode all around them. And as he negotiates the hazards of the volatile allegiances and jealousies attendant to his own romantic entanglements, he finds himself face to face with a familiar existential dilemma -- the desire to raise a child despite society's condemnation of nontraditional families.
A brilliantly written story of the lonely, painful search for happiness in unconventional choices, Vanitas is a rare novel -- a daring orchestration of event and character that is a bold, hopeful, and accomplished piece of literature.
Love triangles and mirror images, AIDS, art and deception color this provocative but ultimately unconvincing tale of a bisexual man's need for family in a world where the old archetypes no longer seem to fit. When renowned New York art dealer Elliot Garland, dying of AIDS, hires freelance journalist Sam Solomon to ghostwrite his memoirs, Sam finds himself an unwitting pawn in an emotional chess game between ex-lovers. Under the pretext of book research, Garland sends Sam to London to meet Bobby LaCour, Garland's lost love, and take him a portrait, an erotic drawing (the eponymous Vanitas) that Sam had coveted when he saw it hanging in Garland's apartment. Even as Sam and Bobby fall in love, Sam lives with his ex-girlfriend--now dating a married man--and is drawn to her and her daughter, and to the notion of family and fatherhood. Olshan (Clara's Heart) sheds some light on what it means to falsify history, reorganize the family and even glamorize risk and death. But a teasing, incremental narrative, contrived plotting and overdone symbolism give too much of the gloss of commercial fiction, and the question of whodunit ends up trumping the more serious themes raised.