With Teeth
A Novel
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- USD 9.99
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- USD 9.99
Descripción editorial
NAMED A BEST BOOK OF THE YEAR BY THE WASHINGTON POST, VOGUE, MARIE CLAIRE, READER'S DIGEST, AND GOOD HOUSEKEEPING
“A gripping read…Unabashedly queer, probing and unafraid…Exceedingly engaging.” –USA Today
“Sublimely weird, fluently paced, brazenly funny and gayer still, and it richly deserves to find readers.” –New York Times
From the author of the New York Times–bestselling sensation Mostly Dead Things: a surprising and moving story of two mothers, one difficult son, and the limitations of marriage, parenthood, and love
If she’s being honest, Sammie Lucas is scared of her son. Working from home in the close quarters of their Florida house, she lives with one wary eye peeled on Samson, a sullen, unknowable boy who resists her every attempt to bond with him. Uncertain in her own feelings about motherhood, she tries her best—driving, cleaning, cooking, prodding him to finish projects for school—while growing increasingly resentful of Monika, her confident but absent wife. As Samson grows from feral toddler to surly teenager, Sammie’s life begins to deteriorate into a mess of unruly behavior, and her struggle to create a picture-perfect queer family unravels. When her son’s hostility finally spills over into physical aggression, Sammie must confront her role in the mess—and the possibility that it will never be clean again.
Blending the warmth and wit of Arnett’s breakout hit, Mostly Dead Things, with a candid take on queer family dynamics, With Teeth is a thought-provoking portrait of the delicate fabric of family—and the many ways it can be torn apart.
PUBLISHERS WEEKLY
Arnett (Mostly Dead Things) paints a complex picture of a queer family in this well-sculpted drama. Protagonist Sammie and her wife, Monika, have a son, Samson, who proves to be an ornery and enigmatic child. (Among other things, he willfully lets a strange man attempt to abduct him at the age of four and later carries a school project doll of himself everywhere.) Sammie is the more anxious and hands-on of the parents; she works part-time as a copy editor, while laid-back Monika excels as a lawyer. In addition to doubting her fitness as a parent, Sammie misses the social life she had pre-Samson and "didn't like the way other women looked at her wife, didn't like the fact that no one looked at her that way anymore." By the time Samson's 16, he has become a skilled swimmer and retains much of his inscrutable personality, Sammie and Monika have separated, and Sammie struggles with dating. Arnett's prismlike prose is supplemented by vignettes focused on peripheral characters, such as Samson's teachers, which add some maximalist flair to the domestic story. With its vividly rendered characters, this offers an intense rendition of a modern family.
