- Sacred Woman, Sacred Dance
- Sadler's Wells - Dance House
- Safe Dance Practice
- Sakountala (chorégraphie Marie-Claude Pietragalla - 2000)
- Salammbô
- Salpuri-Chum, A Korean Dance for Expelling Evil Spirits
- Salsa for People Who Probably Shouldn't
- Salsa, une danse aux mille couleurs
- SAS 153 Ramenez-les vivants
- Save Me The Waltz
- Save Your Tears For The Stage
- Screendance
- Se faire contemporain
- Second Act
- Second Skin
- Serenade
- Serge Diaghilev
- Seven Guitars
- Sexuality, Gender and Identity
- Shakespeare’s Hobby-Horse and Early Modern Popular Culture
- Shakespeare’s Hobby-Horse and Early Modern Popular Culture
- Shaping the Landscape
- Sharing Identities
- She is Cuba
- She’s a Hot Mess
- Shifting Cultural Power
- Shoko Nakamura & Wieslaw Dudek
- Sidi Larbi Cherkaoui
- Silent Eloquence
- Site, Dance and Body
- Skateboarding and Femininity
- Skin of Glass
- Snake Hips
- So, You Want To Be a Ballet Dancer?
- Social Partner Dance
- Soft Is Fast
- Solace + Yearning – Poetry of Dance and Belonging
- Solkattu Manual
- Somewhere
- Sonidos Negros
- South of Noon
- Spinning
- Stars of '90s Dance Pop
- Stars of 21st Century Dance Pop and EDM
- Step Dancing in Ireland
- Still Got It, Never Lost It!
- Story and Character
- Story/Time
- Strange Footing
- Structure of a Flamenco Coreography
- Studying Dance
- Styling Blackness in Chile
- Summerspace (chorégraphie Merce Cunningham - 1958)
- Sundari
- Supervision of Dance Movement Psychotherapy
- Sus-sous at The Ballet
- Swan Dive
- Symphonie pour un homme seul (chorégraphie Maurice Béjart - 1955)