- " A qui lira ": Littérature, livre et librairie en France au XVIIe siècle
- "...the real war will never get in the books"
- "Aber plötzlich war mir, als drohe das Haus über mir zusammenzubrechen."
- "All-Electric" Narratives
- "Alles veloziferisch" oder Goethes Entdeckung der Langsamkeit
- "Aparente guante que sea cepo"
- "Arms, and the Man I sing . . ."
- "Black People Are My Business"
- "Buffet froid" de Bertrand Blier
- "Calvinus præceptor Ecclesiæ"
- "Centuriæ latinæ" : cent une figures humanistes de la Renaissance aux Lumières. II, à la mémoire de ...
- "Chambacú, la historia la escribes tú"
- "Comme un souci aux rayons du soleil"
- "Desta para a melhor": A presença das viúvas machadianas no Jornal das Famílias
- "Dieu à nostre commerce et societé" : Montaigne et la théologie
- "Dits" et "Débats"
- "Do You Have a Band?"
- »Du bist die Aufgabe«
- "Ein wirrer Traum entstellte mir die Nacht"
- "Ein Wort, ein Satz…"
- "Es grande el poder de la poesía"
- "Every Valley Shall Be Exalted"
- "Fanned and Winnowed Opinions"
- "Figuri - kauft Figuri!"
- "G" is for Grafton
- "God Calls Us to His Service" : The Relation Between God and His Audience in Calvin's Sermons on Act...
- "Gorgias" and "Phaedrus"
- "Homo ludens" en la Revolución
- "Homo Viator" : Itineraries of exile, displacement and writing in Renaissance Europe
- "Hors toute intimidation" : Panurge ou la parole singulière
- "How Come Boys Get to Keep Their Noses?"
- "I Promessi Sposi": un romanzo nuovo
- "La plume en l'absence"
- "Le Sang embaumé des roses" : sang et passion dans la poésie amoureuse de Pierre de Ronsard
- "Les jardins qui sentent le sauvage" : Ronsard et la poétique du paysage
- "Mais devant tous est le Lyon marchant"
- "Many a Song and Many a Leccherous Lay"
- "Mi genio es un enano llamado Walter Ego"
- "Nugae" (Bagatelles) 1533
- "Nunca mayor sobervia comidió Luçifer"
- "O Hip-Hop Está Morto!"
- "Otro" teatro español
- "Petite patrie". L'image de la région natale chez les écrivains de la Renaissance
- "Por ser mujer y autora..." (Ínsula n° 841-842, enero-febrero de 2017)
- "Se conoce que usted es 'Moderna'"
- Shakin' Up Race and Gender
- "Shirley and Pipsi...in Their Own Words"
- "Something Dreadful and Grand"
- "Something Urgent I Have to Say to You"
- "Soy simultáneo"
- "The Disenthralled Hosts of Freedom"
- "The Gift" by H.D.
- "The Million Dead, Too, Summ'd Up"
- "The Nose"
- "The Soul Exceeds Its Circumstances"
- "The Useless Mouths" and Other Literary Writings
- "Theatricals of Day"
- "There It Is": Narratives of the Vietnam War
- "This Mighty Convulsion"
- "Thuanus" : The Making of Jacques-Auguste de Thou (1553-1617)
- "To Tread on New Ground"
- "Todo se ha hecho a mi voluntad"
- »Und lieben, Götter, welch ein Glück«
- "We Were Born Aegles, But Turtles Have Been"
- "Who Set You Flowin'?"
- "Who, What Am I?"
- "Y todo esto pasó con nosotros"
- "¿Qué mandáis hacer de mí?"
- "Красное Колесо" Александра Солженицына
- "Мне выпало счастье быть русским поэтом..."
- "Обломов". Роман И. А. Гончарова
- "Осень на двоих", или Этюд в осенних тонах
- "殷光熹文集.第6卷,宋诗名篇赏析"
- #AmigaDateCuenta presenta: #TuBarrioTeRespalda
- #drummondsemóculos
- #MeToo and Literary Studies
- #Postweb!
- #QuedateEnCasa. Relatos en pandemia
- "Rottenikken"
- 'A womans answer is neuer to seke': Early Modern Jestbooks, 1526–1635
- 'All the World's a Stage'
- 'Brave New World': Contexts and Legacies
- 'Ecstatic Sound'
- 'Membering Austin Clarke
- 'Never Let Me Go' by Kazuo Ishiguro: Narrative Structure and the Ingenuous Narrator
- 'Shall She Famish Then?'
- 'The Damned Fraternitie': Constructing Gypsy Identity in Early Modern England, 1500–1700
- 'Til Death Or Distance Do Us Part
- 'Tis Pity She's A Whore
- 'Twas the Night before Christmas (with MAGICAL WINTER ILLUSTRATIONS)