Buck Owens
The Biography
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- € 11,99
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- € 11,99
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Buck Owens was the top-selling country act of the 1960s, with 21 number-one hits and 35 consecutive top-ten hits, a total surpassed only by the Beatles. Inventor of the Bakersfield sound, he was hugely popular not only with country fans, but rock fans too. The Beatles covered his songs, Gram Parsons idolized him, the Grateful Dead loved him. At least five marriages, several TV shows, and a publishing and media empire followed. And a number of current country stars, ranging from Dwight Yoakam to Marty Stuart, owe their sound to him.
Yet never before has there been a book about Buck Owens. And the man that emerges from its pages is the polar opposite of the aw-shucks image he cultivated on Hee-Haw. A tight-fisted control freak with an outsized appetite for sex, Owens could be ruthlessly cruel at one moment and as slippery as a snake the next.
Buck Owens chronicles his rise from poverty as son of a sharecropper to one of the nation's best-loved entertainers, worth at least $100 million when he died. It is authoritative: it counts among its myriad sources five Buckaroos, the producer of Hee Haw, the former president of Capitol Nashville, numerous country singers, relatives, wives, lovers, and employees. This biography fully reveals, for the first time, not only one of country's biggest stars, but perhaps its biggest son of a bitch.
PUBLISHERS WEEKLY
Sisk (Honky-Tonks: Guide to Country Dancin' and Romancin') opens with a warm dedication and a note of thanks to the late country star Buck Owens. In the subsequent 56 chapters, however, she paints a picture of Owens as a megalomaniacal, sex-addicted, song-stealing skinflint, likening him at times to a vampire, a man who once belittled a 10-year-old who played guitar for him. Owens was born in Texas in 1929, but made the migration west during the Depression, settling in Bakersfield, Calif., developing a distinct sound with songs like "Act Naturally" that consistently put him atop country music charts in the 1960s. A shrewd businessman, he later became widely known for cohosting the long-running TV show Hee Haw. Owens, who died in 2006, cooperated with Sisk for three years in the late 1990s on an authorized biography before nixing the agreement. The stories of Owens as the Caligula of country music have compelling potential, but Sisk's narrative is plodding. Although the book is billed as a biography of Owens, he is kept at a distance, and the reader learns very little about his music or his side of the story. Sisk instead focuses on what those close to Owens told her about his behavior. Sadly, the Bakersfield sound that made Owens famous and influenced many gets short shrift in this tiresome expose .
