Chuck Klosterman IV: A Decade of Curious People and Dangerous Ideas
-
- € 12,99
-
- € 12,99
Beschrijving uitgever
Chuck Klosterman has become the pop culture commentator of his time. Now, our favourite popular phenomenon offers new introductions, outros, segues, and footnotes around a collection sure to enlarge his following. Chuck Klosterman IV is divided into three parts:
Part I: Things That Are True showcases Chuck's best profiles and trend stories from the past decade. Billy Joel, Metallica, Val Kilmer, U2, Radiohead, Wilco, The White Stripes, Steve Nash, 50 cent - they're all here, complete with behind-the-scenes details and ingenious analysis.
Part II: Things That Might Be True assembles the best of opinion pieces that brim with a characteristic candor - always interesting, often infuriating, occasionally insane. Now fortified with twenty new hypothetical questions.
Part III: Things That Are Not True At All offers an unpublished short story. While semi-autobiographical, it features a woman who falls out of the sky and lands on a man's car.
PUBLISHERS WEEKLY
Fans of Klosterman's Ritalin-paced pop culture criticism (Sex, Drugs, and Cocoa Puffs) will eagerly devour this collection of previously published essays. Whether investigating Latino fans of British pop icon Morrissey, interviewing female tribute bands like Lez Zeppelin and AC/DShe or eating nothing but Chicken McNuggets for a week, Klosterman is always entertaining and often insightful. But other than a sympathetic profile of Billy Joel, Klosterman rarely strays from his favorite topics: heavy metal music, television, sports and sex. Perhaps this career overview is his way of recycling old themes into some kind of new "defining endeavor," as he describes the title inspired by Led Zeppelin IV (as it is unofficially called). This would make perfect sense given his work so far: Fargo Rock City was an original and confident debut (like Led Zeppelin I); his newest book definitely has kick, but overall it's a mixed bag of collected essays strong and not-so-strong performances its parts are greater than the whole.
