Fire Down Below
With an introduction by Kate Mosse
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- € 8,49
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Introduced by Kate Mosse, lose yourself in an epic naval journey in the final novel in the Booker Prize-winning historical fiction Sea Trilogy by the author of Lord of the Flies.
I think there has been death in my hands.
On the last stretch of its epic voyage from England to Australia, a disintegrating warship inches towards land. But there are still trials ahead, as the vessel is smashed against an ice cliff and blasted by a great storm, while the claustrophobic passengers battle erotic desires, masculine rivalry and violent power struggles - all experiencing a sea change in their natures. And when an unseen fire begins to smoulder below decks, the other side of the world has never seemed further away ...
'Fantastic ... Gems tumble off the pages ... A strong sense of drama ... Much of the pleasure of reading his work is his original imagery.' Annie Proulx
'A truly noble achievement'. Patrick O'Brien
'The best novel I've read this year ... The language fizzes and spits.' Daily Telegraph
'Reeks and resounds with authenticity ... The epic imaginative enterprise [is] as formidable a feat as the year-long odyssey it charts.' Sunday Times
'Golding writes the past as present [with] uncanny skill and tremendous intuition.' Ben Okri
To The Ends of the Earth: A Sea Trilogy - Book Three
PUBLISHERS WEEKLY
The conclusion of the trilogy he began with the Booker Prize-winning Rites of Passage (1980) and followed with Close Quarters (1987), Nobel Laureate Golding's densely complex, subtle and exacting latest novel tussles intriguingly with thematic and formal problems that have occupied the author in his previous works. The present trilogy enriches itself by self-consciously playing off its fictional precursors in a number of dimensions, including, most obviously, that of the voyage of self-discovery. In relating an almost year-long voyage (in the Napoleonic era) from England to the Antipodes of a motley band of passengers and the crew of a decrepit former man-o'-war as they experience many of life's dramas, the trilogy evokes tales by Melville, Voltaire and Homer among others. And the novels may be further interpreted not only as the Bildungsroman of aristocratic young narrator, Edmund FitzHenry Talbot, by means of myth's revelatory reversal that exposes the disjunction between appearances and reality, but also (given the autobiographical details) as a means to Golding's own ironic self-discovery. The narrative's beautiful, otherworldly descriptions of the sea and air, as the ship, twice damaged by errors of judgment on the part of its younger officer, flounders in terrifyingly heavy seas, evoke a metaphysical, mythic dimension. This rich and problematical text resists facile interpretation even as it delights through Golding's witty and poetic evocation of the language of the period.
